The Weird of the Wentworths: A Tale of George IV's Time, Vol. 2Scotus, Johannes
History
The Weird of the Wentworths: A Tale of George IV's Time, Vol. 2
Scotus, Johannes
Conduct of life -- Fiction; Great Britain -- History -- George IV, 1820-1830 -- Fiction
How sad was the chamber of death! Stretched lifeless, but beautiful in
death, the hope of age, the joy of her husband, the kind, the
generous--lay unheeding, but not unheeded. Kneeling at the couch's side,
the Marquis hid his agony on his lifeless partner's bosom, and wept in
uncontrolled grief. The fair Lady Florence, arrayed in her ball dress,
wrung her hands and wept in wild despair, with her golden tresses all
dishevelled, flowing over her lost sister. There were many other
mourners, and no sound but the suppressed sobs of man, or the unconfined
weeping of woman broke the gloom of the chamber of death.
How would _they_ hear the news? was often asked. Who shall tell the
bridal pair? How had laughter languished into groans! how had they
proved that in the midst of life we are in death! A week after this
event a very different ceremony was performed by the same prelate. The
same room, not adorned for the wedding but hung in funeral black, saw a
very different sight. In the centre of the chamber, on a table covered
with black, stood a gorgeous coffin of crimson velvet and gold, around
it in the garb of woe stood the eight pall-bearers. Behind it the chief
mourners--the Marquis and Frank de Vere.
The first part of the impressive and beautiful burial service was read
by the Bishop--then the coffin containing all that remained of youth and
beauty, was slowly and solemnly borne through the long passages hung in
crape, through the great hall to the doorway, where a hearse drawn by
six horses, with black drapings and nodding plumes, received its
lifeless burden; and the horses, tossing their plumed heads, paced
across the drawbridge, whilst the mourners walked in sad procession
behind. The white feathers on the hearse told that one young in this
world had early run her race.
They had not far to go--the west tower of the castle was soon reached,
and again the coffin was borne into the arched room over the family
vault, and was placed on the drop. For the last time the mourners
gathered round the narrow bed of the loved and departed one. The
chamber, or rather cloister, in which they stood, was well adapted for
the mournful spectacle. The windows were narrow, the roof low, and
supported by ribbed pillars; on either side were low benches, all robed
in funeral black; the floor was also covered with black cloth, the walls
draped with the same, and the pillars encircled with wreaths of cypress
and yew branches; along the walls, through the black squares cut in the
cloth, glimmered, ghostlike, the marble tablets recording the names and
ages of all the former departed members of the De Veres, whose bones
mouldered beneath. Everything was black and funeral-like. The only
exception was the coffin, whose crimson velvet lining, gold plates and
ornaments seemed almost strange in contrast.
Public-domain text, read in full here on John Shaqi.
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