Judge, then, of my surprise, on returning to a state of consciousness,
to discover that I was on my feet in an erect position with my back
against what seemed to be a stone pillar. It is not quite correct
to define my attitude as "erect:" leaning forward would more aptly
describe it. My balance was maintained by a contrivance of somewhat
sinister significance. My hands were extended almost horizontally
behind me, one on each side of the pillar, my wrists being firmly
secured to each other by something which, judging by the sense of touch
was a silken sash so twined and twisted as to serve the same purpose as
a strong cord. My arms ached with the pain arising from the unnatural
position in which they were sustained; and my head throbbed acutely,
probably from the effects of the drug exhaled by the phial.
In what place I stood it was impossible to tell, for there lay a
darkness all around as black and oppressive as though a pall had been
flung over me. Fear imparts the wildest fancies to the human mind. My
first impression was that I had awoke on the other side of the dark
river that parts this world from the next, and that my eyes, so soon as
they were able to pierce the gloom, would discover scenes more terrible
than those imagined by the genius of Dante.
Reverting, however, to the train of events that had brought me to
the state of unconsciousness, I came to the more rational conclusion
that I was still in the Nuns' Tower. The stone column to which I was
attached was without doubt the pillar that upheld the arched roof of
the studio-cell; and the silken fabric that bound my hands, I felt
intuitively, was the purple curtain that, earlier in the day, had been
hung over the casement.
My eyes, becoming by slow degrees accustomed to the darkness, discerned
through the penumbra around me a grey oblong object elevated in air
and crowned with a triangular apex, which finally resolved itself into
the shape of a Gothic casement; and then little by little the whole
perspective of the studio-cell became dimly outlined on my vision; and
there, by the side of the table, within the oaken chair, sat a figure.
My first impulse was to shout for help, but I checked myself lest such
cry should be the signal for my mysterious captor to despatch me. How
he had gained access to the cell was evident.
At a point equidistant from the window and the door a slab of stone
that formed a part of the flooring was raised, and reclined obliquely
against the wall. Beneath the place where it had lain an opening
yawned, and the faint outline of steps going downwards proved the truth
of the statement contained in the addendum to the antiquary's book that
there was another mode of communicating with the tower besides the
ordinary way of the door.
Public-domain text, read in full here on John Shaqi.
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