I turned my staring eyeballs towards the shape at the table. It was
too dark at first for me to distinguish his features, but the contour
of the figure seemed to suggest the personality of Angelo. By and by
the obscurity of the cell became faintly illumined by the withdrawal of
some dark clouds from the face of the sky, and I saw that my captor was
indeed the artist. Clad in a dark velvet jacket, he sat with his hands
clasped at the back of his head, and one leg thrown carelessly over the
other.
I had not expected my captor to be any one else than Angelo, and yet
the recognition seemed to come upon me as a surprise.
I shall not pretend to be a hero, and say that the recognition brought
with it no fear. It did indeed bring a very great pang of fear. I felt
such a sensation then as I never before felt and never wish to feel
again.
I was a captive in the power of a rival who hated me with all the
hatred of a hatred-loving race. I had sneered at him and at his adored
art. I had robbed him of Daphne, depriving him by that act of a figure
whose beauty would be an acquisition to his studio. I had little to
hope from his mercy.
Preserving with difficulty my presence of mind, I manipulated the
silken bands on my wrists in the hope of releasing myself, but Angelo
had performed his task too well to permit this. It was evident that
my earthly salvation was not within my own power. It must come--if it
should come at all--from without. With a terror that increased moment
by moment, I recognised how hopeless was my situation.
True, the Baronet and my uncle would miss me on their return, and,
conjecturing that I had gone to the Nuns' Tower, might come to seek
me, but their aid would be of no avail, for, even if they should come
with a body of servants armed with axes, it would take them a minute at
least to force open the strong oaken door--ample time for the artist to
compass his work of vengeance and escape by the secret passage.
What men usually do when nothing else is left for them to do, I did.
The first really fervent prayer that I ever breathed rose to my lips.
As I could see Angelo's eyes quite plainly, I concluded he could see
mine, and hence he must have perceived that I had recovered from my
state of lethargy. He did not speak, however, but continued to look
at me, as if my captivity were a luxury too rich for words. Several
minutes passed, and at last the silence became so oppressive that I
could bear it no longer, and I said:
"Was it you who bound me like this?"
"It was."
A brief reply--delivered in a cool tone of voice, too, as if the
seizure and binding of a gentleman to a Gothic pillar was an every-day
event with him, and of too trifling a character to require any comment
or apology.
"Confound your ill-timed jest! Cut these cords at once, before my cries
bring assistance."
Public-domain text, read in full here on John Shaqi.
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