Daphne would have fallen to the floor if some one had not caught her in
his arms. She lay cradled within the artist's embrace, her fair face
resting on his breast, and his arms wound round her slender figure.
Brief as was this embrace, it was nevertheless of sufficient duration
to make me hate him--for a time, at least.
Tenderly he laid the figure of my cousin on an ottoman. The ladies of
the assembly crowded round, and applied such remedies as were at hand
to restore her from her swoon. Angelo stood by the couch with folded
arms, gazing at the prostrate form with a wistful look.
"Beautiful! What a model for an artist!" he murmured.
He must have had a strange taste in the selection of his subjects if
he could have found pleasure in painting Daphne as she was just then.
Her face had parted with its bright, fresh beauty, and had assumed the
sharp and careworn look of age. Her bridal dress seemed almost to have
lost its sheen: the white flowers in her hair to have become emblems of
death.
Presently the artist raised his eyes with a light as of triumph in
them; they met mine, and for a few seconds we stood looking at each
other; and then I learned that some one besides myself had been wishing
that George would never return. At length Daphne opened her eyes and
spoke:
"It can't be true, it can't be true! George would never treat me like
this. Oh, what shall I do?" and at last she broke down in a passion of
tears, terrible to witness, and we men, conscious of our impotence in
face of such overwhelming grief, stole from the room and left her to
the women.
Much as the guests would have liked to relieve my uncle of the
embarrassment of their presence in these unforeseen circumstances of
sorrow, they were prevented from doing so by the storm, which, having
raged for many hours, rendered locomotion out of doors extremely
difficult. My uncle made no excuses for his withdrawal from the
company, and as soon as I could do so, I too followed him to his
library, where I found him sitting with Angelo Vasari.
"I suppose," the latter was saying, "that Captain Willard is not very
well known in Paris or London?"
A curious question this! What could it possibly matter to the artist
whether George was or was not well known in Paris or London? Yet here
he was putting the question with a similar show of eagerness as when
asking me to study the twelve facial sketches.
"I doubt," replied my uncle, "whether there are six people in Europe
who know him--know him intimately, that is. As a young man he graduated
at Upsala----"
"In Sweden, you know," I interjected, for the enlightenment of the
artist, who seemed to resent this attempt of mine to teach him
geography.
"And then," continued my uncle, "after a brief interval in England
he sailed for India, where he has been ever since till the last two
months."
"And it was during that brief interval in England, I suppose," said
Angelo, "that he became engaged to Miss Leslie?"
"Just so."
Public-domain text, read in full here on John Shaqi.
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