"Who is this coming up the mountain-path? I have been watching him for
a long time."
Whoever the person was, he ascended the mountain with the freedom
of one to whom the path was perfectly familiar, selecting his way
among the mossy boulders and grass-hidden pools without a moment's
hesitation, and springing from crag to crag with the agility of a
chamois-hunter.
"'_Excelsior_' evidently is his motto," said I. "Longfellow's young
man, perhaps, 'mid snow and ice.'"
"Minus the 'banner with the strange device,'" returned my uncle.
"Hanged if it isn't Il Divino! How comes he to be here?"
It was indeed the divine one, looking in the picturesque costume he was
wearing more handsome and romantic than ever. A sombrero was slouched
with easy negligence over his broad white brow, and a long cloak
dropped gracefully from his shoulders. He had all the air of a man who,
conscious of his personal charms, is determined to make the best use of
them.
The look of pleasure that mantled Daphne's face had so disturbing an
effect on my spirits that it was as much as I could do to treat the
artist with ordinary civility.
"Angelo," cried my uncle after the first greetings were over, "I'm
delighted to see you! But tell us how you came to be here, for I
thought that outside of Switzerland few beside myself knew of the
existence of this secluded valley."
"Rivoli the Beautiful is my native place," replied Angelo. Why had not
Fate fixed his nativity at the sixth cataract of the Nile?
"I thought you were an Italian," I remarked frigidly.
"My parents were both Italians," replied the artist, "but I was born
in that cottage;" and he pointed far down the valley to a tenement
on which Daphne gazed with interest, while I, staring in a different
direction, tried to catch a glimpse of a steel-blue lake through a veil
of floating mist. "I have no parents nor any relations left. My old
nurse still lives; and I make a point of visiting Rivoli each year to
breathe the mountain air, and to see that the old dame does not want."
"A very pious and proper proceeding on your part," I remarked.
This was meant for sarcasm, but it did not seem to disturb the artist
in the least. The look of disapproval on Daphne's face did not tend to
tranquillise my mind.
"I arrived here only last night," Angelo continued, "and, hearing
that a lady and two Englishmen had taken up their residence at the
Châlet Varina, I guessed at once from the description who they were.
I determined to call in the morning to present my compliments to Miss
Leslie and her father"--he omitted me from his congratulations--"and to
ask her to accept these flowers."
And with a graceful bow he presented to her a beautiful bouquet. I
thought Daphne quite ridiculous in her admiration of it.
"O, how pretty!" she cried. "Thank you very much, Mr. Vasari. I am so
fond of flowers. Smell how sweet they are, Frank." And she actually
held the odious gift close to my nostrils for my appreciation. "Aren't
they sweet?"
Public-domain text, read in full here on John Shaqi.
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