Yet sometimes as Anna and she sat together looking out at the misty Cornish coast-line, hearing the dull, heavy throb of the sea and the calling of sea-gulls the one to the other—as they sat there together it would seem to Stephen that her heart was so full of Angela Crossby, all the bitterness, all the sweetness of her, that the mother-heart beating close by her own must surely, in its turn, be stirred to beat faster, for had she not once sheltered under that heart? And so extreme was her need becoming, that now she must often find Anna’s cool hand and hold it a moment or two in her own, trying to draw from it some consolation. But the touch of that cool, pure hand would distress her, causing her spirit to ache with longing for the simple and upright and honourable things that had served many simple and honourable people. Then all that to some might appear uninspiring, would seem to her very fulfilling and perfect. A pair of lovers walking by arm in arm—just a quiet, engaged couple, neither comely nor clever nor burdened with riches; just a quiet, engaged couple—would in her envious eyes be invested with a glory and pride passing all understanding. For were Angela and she those fortunate lovers, they could stand before Anna happy and triumphant. Anna, the mother, would smile and speak gently, tolerant because of her own days of loving. Wherever they went older folk would remember, and remembering would smile on their love and speak gently. To know that the whole world was glad of your gladness, must surely bring heaven very near to the world. One night Anna looked across at her daughter: ‘Are you tired, my dear? You seem a bit fagged.’ The question was unexpected, for Stephen was supposed not to know what it meant to feel fagged, her physical health and strength were proverbial. Was it possible then that her mother had divined at long last her utter weariness of spirit? Quite suddenly Stephen felt shamelessly childish, and she spoke as a child who wants comforting. ‘Yes, I’m dreadfully tired.’ Her voice shook a little; ‘I’m tired out—I’m dreadfully tired,’ she repeated. With amazement she heard herself making this weak bid for pity, and yet she could not resist it. Had Anna held out her arms at that moment, she might soon have learnt about Angela Crossby. But instead she yawned: ‘It’s this air, it’s too woolly. I’ll be very glad when we get back to Morton. What’s the time? I’m almost asleep already—let’s go up to our beds, don’t you think so, Stephen?’ It was like a cold douche; and a good thing too for the girl’s self-respect. She pulled herself together: ‘Yes, come on, it’s past ten. I detest this soft air.’ And she flushed, remembering that weak bid for pity. 3