Lesbians -- England -- Social conditions -- Fiction
However, one morning an unusually long letter arrived, telling all about
Angela’s doings: ‘By the way, we’ve met the Antrim boy, Roger. He’s been
staying with some people that Ralph knows quite well, the Peacocks,
they’ve got a wonderful old castle; I think I must have told you about
them.’ Here followed an elaborate description of the castle, together
with the ancestral tree of the Peacocks. Then: ‘Roger has talked quite a
lot about you; he says he used to tease you when you were children. He
says that you wanted to fight him one day—that made me laugh awfully,
it’s so like you, Stephen! He’s a good-looking person and rather a nice
one. He tells me that his regiment’s stationed at Worcester, so I’ve
asked him to come over to The Grange when he likes. It must be pretty
dreary, I imagine, in Worcester. . . .’
Stephen finished the letter and sat staring at the sea for a moment,
after which she got up abruptly. Slipping the letter into her pocket she
buttoned her jacket; she was feeling cold. What she needed was a walk, a
really long walk. She set out briskly in the direction of Newquay.
2
During those long, anxious weeks in Cornwall, it was borne in on Stephen
as never before how wide was the gulf between her and her mother, how
completely they two must always stand divided. Yet looking at Anna’s
quiet ageing face, the girl would be struck afresh by its beauty, a
beauty that seemed to have mollified the years, to have risen triumphant
over time and grief. And now as in the days of her childhood, that
beauty would fill her with a kind of wonder; so calm it was, so assured,
so complete—then her mother’s deep eyes, blue like distant mountains,
and now with that far-away look in their blueness, as though they were
gazing into the distance. Stephen’s heart would suddenly tighten a
little; a sense of great loss would descend upon her, together with the
sense of not fully understanding just what she had lost or why she had
lost it—she would stare at Anna as a thirsty traveller in the desert
will stare at a mirage of water.
And one evening there came a preposterous impulse—the impulse to
confide in this woman within whose most gracious and perfect body her
own anxious body had lain and quickened. She wanted to speak to that
motherhood, to implore, nay, compel its understanding. To say: ‘Mother,
I need you. I’ve lost my way—give me your hand to hold in the
darkness.’ But good God, the folly, the madness of it! The base betrayal
of such a confession! Angela delivered over, betrayed—the unthinkable
folly, the madness of it.
Public-domain text, read in full here on John Shaqi.
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