Lesbians -- England -- Social conditions -- Fiction
Morton! They could not both live at Morton. Something seemed to catch
hold of the girl’s heart and twist it. She stared at her mother, aghast
for a moment, while Anna stared back—she was waiting for her answer.
But quite suddenly Stephen found her manhood and she said: ‘I
understand. I’ll leave Morton.’
Then Anna made her daughter sit down beside her, while she talked of how
this thing might be accomplished in a way that would cause the least
possible scandal: ‘For the sake of your father’s honourable name, I must
ask you to help me, Stephen.’ It was better, she said, that Stephen
should take Puddle with her, if Puddle would consent to go. They might
live in London or somewhere abroad, on the pretext that Stephen wished
to study. From time to time Stephen would come back to Morton and visit
her mother, and during those visits, they two would take care to be seen
together for appearances’ sake, for the sake of her father. She could
take from Morton whatever she needed, the horses, and anything else she
wished. Certain of the rent-rolls would be paid over to her, should her
own income prove insufficient. All things must be done in a way that was
seemly—no undue haste, no suspicion of a breach between mother and
daughter: ‘For the sake of your father I ask this of you, not for your
sake or mine, but for his. Do you consent to this, Stephen?’
And Stephen answered: ‘Yes, I consent.’
Then Anna said: ‘I’d like you to leave me now—I feel tired and I want
to be alone for a little—but presently I shall send for Puddle to
discuss her living with you in the future.’
So Stephen got up, and she went away, leaving Anna Gordon alone.
2
As though drawn there by some strong natal instinct, Stephen went
straight to her father’s study; and she sat in the old arm-chair that
had survived him; then she buried her face in her hands.
All the loneliness that had gone before was as nothing to this new
loneliness of spirit. An immense desolation swept down upon her, an
immense need to cry out and claim understanding for herself, an immense
need to find an answer to the riddle of her unwanted being. All around
her were grey and crumbling ruins, and under those ruins her love lay
bleeding; shamefully wounded by Angela Crossby, shamefully soiled and
defiled by her mother—a piteous, suffering, defenceless thing, it lay
bleeding under the ruins.
She felt blind when she tried to look into the future, stupefied when
she tried to look back on the past. She must go—she was going away from
Morton: ‘From Morton—I’m going away from Morton,’ the words thudded
drearily in her brain: ‘I’m going away from Morton.’
Public-domain text, read in full here on John Shaqi.
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