Only one duty apart from her work had Stephen never for a moment neglected, and that was the care and the welfare of Raftery. The cob had been sold, and her father’s chestnut she had given away to Colonel Antrim, who had sworn not to let the horse out of his hands for the sake of his life-long friend, Sir Philip—but Raftery she had brought up to London. She herself had found and rented his stable with comfortable rooms above for Jim, the groom she had taken from Morton. Every morning she rode very early in the Park, which seemed a futile and dreary business, but now only thus could the horse and his owner contrive to be together for a little. Sometimes she fancied that Raftery sighed as she cantered him round and round the Row, and then she would stoop down and speak to him softly: ‘My Raftery, I know, it’s not Castle Morton or the hills or the big, green Severn Valley—but I love you.’ And because he had understood her he would throw up his head and begin to prance sideways, pretending that he still felt very youthful, pretending that he was wild with delight at the prospect of cantering round the Row. But after a while these two sorry exiles would droop and move forward without much spirit. Each in a separate way would divine the ache in the other, the ache that was Morton, so that Stephen would cease to urge the beast forward, and Raftery would cease to pretend to Stephen. But when twice a year at her mother’s request, Stephen must go back to visit her home, then Raftery went too, and his joy was immense when he felt the good springy turf beneath him, when he sighted the red brick stables of Morton, when he rolled in the straw of his large, airy loosebox. The years would seem to slip from his shoulders, he grew sleeker, he would look like a five-year-old—yet to Stephen these visits of theirs were anguish because of her love for Morton. She would feel like a stranger within the gates, an unwanted stranger there only on sufferance. It would seem to her that the old house withdrew itself from her love very gravely and sadly, that its windows no longer beckoned, invited: ‘Come home, come home, come inside quickly, Stephen!’ And she would not dare to proffer her love, which would burden her heart to breaking. She must now pay many calls with her mother, must attend all the formal social functions—this for the sake of appearances, lest the neighbours should guess the breach between them. She must keep up the fiction that she found in a city the stimulus necessary to her work, she who was filled with a hungry longing for the green of the hills, for the air of wide spaces, for the mornings and the noontides and the evenings of Morton. All these things she must do for the sake of her father, aye, and for the sake of Morton.