Lesbians -- England -- Social conditions -- Fiction
There is nothing more difficult to attain to than the art of being a
perfect guide. Such an art, indeed, requires a real artist, one who has
a keen perception for contrasts, and an eye for the large effects rather
than for details, above all one possessed of imagination; and Brockett,
when he chose, could be such a guide.
Having waved the professional guides to one side, he himself took them
through a part of the palace, and his mind re-peopled the place for
Stephen so that she seemed to see the glory of the dancers led by the
youthful Roi Soleil; seemed to hear the rhythm of the throbbing violins,
and the throb of the rhythmic dancing feet as they beat down the length
of the Galerie des Glaces; seemed to see those other mysterious dancers
who followed step by step, in the long line of mirrors. But most
skilfully of all did he recreate for her the image of the luckless queen
who came after; as though for some reason this unhappy woman must appeal
in a personal way to Stephen. And true it was that the small, humble
rooms which the queen had chosen out of all that vast palace, moved
Stephen profoundly—so desolate they seemed, so full of unhappy thoughts
and emotions that were even now only half forgotten.
Brockett pointed to the simple garniture on the mantelpiece of the
little salon, then he looked at Stephen: ‘Madame de Lamballe gave those
to the queen,’ he murmured softly.
She nodded, only vaguely apprehending his meaning.
Presently they followed him out into the gardens and stood looking
across the Tapis Vert that stretches its quarter mile of greenness
towards a straight, lovely line of water.
Brockett said, very low, so that Puddle should not hear him: ‘Those two
would often come here at sunset. Sometimes they were rowed along the
canal in the sunset—can’t you imagine it, Stephen? They must often have
felt pretty miserable, poor souls; sick to death of the subterfuge and
pretences. Don’t you ever get tired of that sort of thing? My God, I
do!’ But she did not answer, for now there was no mistaking his meaning.
Last of all he took them to the Temple d’Amour, where it rests amid the
great silence of the years that have long lain upon the dead hearts of
its lovers; and from there to the Hameau, built by the queen for a
whim—the tactless and foolish whim of a tactless and foolish but loving
woman—by the queen who must play at being a peasant, at a time when her
downtrodden peasants were starving. The cottages were badly in need of
repair; a melancholy spot it looked, this Hameau, in spite of the birds
that sang in its trees and the golden glint of the afternoon sunshine.
Public-domain text, read in full here on John Shaqi.
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