Lesbians -- England -- Social conditions -- Fiction
Mademoiselle gasped. ‘You no longer live . . .’ she began, then
something in Stephen’s face warned her kind but bewildered guest not to
question. ‘I am deeply grieved to hear of your father’s death, my dear,’
she said very gently.
Stephen answered: ‘Yes—I shall always miss him.’
There ensued a long, rather painful silence, during which Mademoiselle
Duphot felt awkward. What had happened between the mother and daughter?
It was all very strange, very disconcerting. And Stephen, why was she
exiled from Morton? But Mademoiselle could not cope with these problems,
she knew only that she wanted Stephen to be happy, and her kind brown
eyes grew anxious, for she did not feel certain that Stephen was happy.
Yet she dared not ask for an explanation, so instead she clumsily
changed the subject.
‘When will you both come to tea with me, Stévenne?’
‘We’ll come to-morrow if you like.’ Stephen told her.
Mademoiselle Duphot left rather early; and all the way home to her
apartment her mind felt exercised about Stephen.
She thought: ‘She was always a strange little child, but so dear. I
remember her when she was little, riding her pony astride like a boy;
and how proud he would seem, that handsome Sir Philip—they would look
more like father and son, those two. And now—is she not still a little
bit strange?’
But these thoughts led her nowhere, for Mademoiselle Duphot was quite
unacquainted with the bypaths of nature. Her innocent mind was untutored
and trustful; she believed in the legend of Adam and Eve, and no
careless mistakes had been made in their garden!
4
The apartment in the Avenue de la Grande Armée was as tidy as Valérie’s
had been untidy. From the miniature kitchen to the miniature salon,
everything shone as though recently polished, for here in spite of
restricted finances, no dust was allowed to harbour.
Mademoiselle Duphot beamed on her guests as she herself opened the door
to admit them. ‘For me this is very real joy,’ she declared. Then she
introduced them to her sister Julie, whose eyes were hidden behind dark
glasses.
The salon was literally stuffed with what Mademoiselle had described as
her ‘treasures.’ On its tables were innumerable useless objects which
appeared for the most part, to be mementoes. Coloured prints of
Bouguereaus hung on the walls, while the chairs were upholstered in a
species of velvet so hard as to be rather slippery to sit on, yet that
when it was touched felt rough to the fingers. The woodwork of these
inhospitable chairs had been coated with varnish until it looked sticky.
Over the little inadequate fireplace smiled a portrait of Maman when she
was quite young. Maman, dressed in tartan for some strange reason, but
in tartan that had never hob-nobbed with the Highlands—a present this
portrait had been from a cousin who had wished to become an artist.
Public-domain text, read in full here on John Shaqi.
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