Lesbians -- England -- Social conditions -- Fiction
But funny, old, monosyllabic Blakeney with her curly white hair cropped
as close as an Uhlan’s—Blakeney who had long ago done with
emotions—quite suddenly laid her arms on the table and her head on her
arms, and she wept, and she wept.
2
Stephen stayed with the Unit right up to the eve of its departure for
Germany, then she left it, taking Mary Llewellyn with her. Their work
was over; remained only the honour of joining the army’s triumphal
progress, but Mary Llewellyn was completely worn out, and Stephen had no
thought except for Mary.
They said farewell to Mrs. Claude Breakspeare, to Howard and Blakeney
and the rest of their comrades. And Stephen knew, as indeed did they
also, that a mighty event had slipped into the past, had gone from them
into the realms of history—something terrible yet splendid, a oneness
with life in its titanic struggle against death. Not a woman of them all
but felt vaguely regretful in spite of the infinite blessing of peace,
for none could know what the future might hold of trivial days filled
with trivial actions. Great wars will be followed by great
discontents—the pruning knife has been laid to the tree, and the urge
to grow throbs through its mutilated branches.
3
The house in the Rue Jacob was en fête in honour of Stephen’s arrival.
Pierre had rigged up an imposing flagstaff, from which waved a brand new
tricolour commandeered by Pauline from the neighbouring baker; flowers
had been placed in the study vases, while Adèle had contrived to produce
the word ‘welcome’ in immortelles, as the pièce de resistance, and had
hung it above the doorway.
Stephen shook hands with them all in turn, and she introduced Mary, who
also shook hands. Then Adèle must start to gabble about Jean, who was
quite safe although not a captain; and Pauline must interrupt her to
tell of the neighbouring baker who had lost his four sons, and of one of
her brothers who had lost his right leg—her face very dour and her
voice very cheerful, as was always the way when she told of misfortunes.
And presently she must also deplore the long straight scar upon
Stephen’s cheek: ‘Oh, la pauvre! Pour une dame c’est un vrai désastre!’
But Pierre must point to the green and red ribbon in Stephen’s lapel:
‘C’est la Croix de Guerre!’ so that in the end they all gathered round
to admire that half-inch of honour and glory.
Oh, yes, this home-coming was as friendly and happy as good will and
warm Breton hearts could make it. Yet Stephen was oppressed by a sense
of restraint when she took Mary up to the charming bedroom overlooking
the garden, and she spoke abruptly.
‘This will be your room.’
‘It’s beautiful, Stephen.’
After that they were silent, perhaps because there was so much that
might not be spoken between them.
Public-domain text, read in full here on John Shaqi.
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