The Wellfields: A novel. Vol. 1 of 3Fothergill, Jessie
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The Wellfields: A novel. Vol. 1 of 3
Fothergill, Jessie
English fiction -- 19th century
‘As having discovered my attempts to be very poor, commonplace
delusions after all.’
‘That remains to be seen; all I hope is that you will not be offended
if one who, by some misfortune, has got such an inveterate habit
of pointing out what appear to him the merits and demerits of any
composition, should——’
‘That would be of the utmost advantage to me,’ said she, gaily,
wondering how long the interview was to last, and wondering also, in
strict privacy, whether critics—of that eminence—never relaxed into a
laugh; whether a sedate smile were all their lips would condescend to.
How long the interview might have lasted it is impossible to say. At
that moment it was interrupted. Frau von Trockenau, with a number
of the ingenuous girls before alluded to—whose tender years and
inexperience she seemed to find somewhat embarrassing during the ‘off
season,’ before the dancing began—Emily Leigh, Jerome Wellfield, Hans
Lemde, and others, came up.
‘Oh, Herr Falkenberg!’ cried the countess, seeing him, ‘a word with
you.’
She paused, as did also Jerome Wellfield, and the others went on.
Wellfield had not yet spoken to Sara, and while Frau von Trockenau
discoursed with much animation to Falkenberg on some point connected
with the morrow’s excursion, Jerome turned to Miss Ford.
The flush of exultation which her conversation with Falkenberg had
aroused, died from her cheeks. She silently put her hand into that of
Wellfield, while he, an expression of pleasure dawning in his face,
asked her how she did.
After a few minutes, the countess put her hand within Falkenberg’s arm,
and they went up the terrace, in earnest conversation. Jerome and Sara
were left standing alone.
‘Herr Falkenberg is a friend of yours?’ asked Wellfield.
‘I don’t know. I hope he will be. He would be a very valuable friend to
me.’
‘I can suppose so. Does he wish you to paint this scene?’
‘Yes. And it is very beautiful. Do you not think so?’
‘It is—lovely. I wish you could see the place my father will not live
at—Wellfield Abbey and the country round about. As an artist, you
would delight in it.’
‘But it is in Lancashire, isn’t it?’ asked Sara.
‘Yes. What then?’ inquired he.
‘I always fancy it such a black, hideous place. I have only once been
in Lancashire, when I passed through Preston with my father on our way
to Scotland, years ago.’
‘Then you passed not a hundred miles from Wellfield,’ he rejoined with
some animation. ‘But I own, you could not be favourably impressed with
what you saw there. It is not lovely. But Wellfield is.’
‘Perhaps I may see it some day—who knows?’ said Sara, musingly.
‘I am sure I hope you may,’ he answered quickly. ‘There is nothing I
should so much——’
He paused abruptly. Sara felt her face flush, and said quickly:
‘Would not you like to come down this side-walk—this ilex walk? The
countess has spent a great deal of care and attention upon it, in
remembrance of the ilexes of Rome.’
Public-domain text, read in full here on John Shaqi.
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