The Wellfields: A novel. Vol. 1 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 1 of 3
Fothergill, Jessie
English fiction -- 19th century
There is a wayside railway station on a German line, which station,
twenty years ago, was a thing of the future, and which I will here call
Lahnburg. It is the scene of the _Leiden des jungen Werther_—it is
the place where Goethe adored, and where the object of his adoration
placidly ‘went on cutting bread and butter.’ It was then Goethe’s,
Lotte’s, Jerusalem’s home; now it is an out-of-the-way country town
which is completely out of the beaten route of the tourist, and which
few persons have heard of, and fewer still care to visit.
Leave the train—it is a slow one—all the trains are slow which deign
to stop at Lahnburg. At Lahnburg they hurry no one—themselves least
of all. Now we are on the asphalted platform of the little station, in
the presence of a Prussian, with a blue coat and a fierce moustache,
who sternly demands our _Gepäckschein_. If we have luggage, we meekly
give it him, thankful to be so well, if so severely taken care of.
If we have none, we mention the fact, and leave him to wonder what
sinister motives could have brought us to that spot, and to look at us
as if he would place us under arrest, were not his powers so shamefully
limited. We leave the station, and take the road leading towards the
town.
Along an uninteresting country-road, till we begin to drive up the hill
around and upon which the town is built. Up the steep, rugged streets,
between the high antique houses, slowly and joltingly lumbering over
the stones, in and out, and round about up the hill, till we arrive
at the Marktplatz, and behold, surrounding the great cobble-stoned
square, all the principal buildings of the town! Pause, Jehu! thou
reckless charioteer—pause, that we may fully take into our minds
the scene about us. Here we are, in the middle of the square. There,
opposite to us, stands the solemn old _Dom_, built of a warmly-hued,
reddish stone. From its midst rises the nucleus of it all—that which
is older than Christianity, the seamed, cracked, scarred, black,
old _Heidenthurm_—the ‘heathen-tower,’ remnant of long-past Roman
rule. Blasted, black and ruined, but grim and defiant, majestic and
undegraded still, in the midst of its wreck, it fronts us, and towers
over the town and landscape beneath; for the _Dom_ is built on the
very summit of the hill; and before it was, was the _Heidenthurm_. It
watches over the fertile hill-slopes and over the level, poplar-fringed
meads at the foot of them, between which the gliding Lahn holds its
course. Since that grim old sentinel first took his stand there, what
changes have not taken place! The very face of the landscape has
altered, while dynasties changed and kings and people rose and fell,
and kingdoms and empires flourished and passed away. Varied have been
the signs of the heavens above him—more varied far the life-stories,
the joys, the sorrows, the raptures, and the agonies of the races which
have grown up, have lived and died, married and brought children into
Public-domain text, read in full here on John Shaqi.
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