The Wellfields: A novel. Vol. 2 of 3Fothergill, Jessie
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The Wellfields: A novel. Vol. 2 of 3
Fothergill, Jessie
English fiction -- 19th century
With the different stages of the service Wellfield forgot his troubles.
It brought back associations of youth and pleasure, of music and
student-days—associations in nowise connected with Wellfield, with
his present life and surroundings—rather it led him to forget them,
which he was only too willing to do. The ritual was gorgeous, the music
magnificent, the choir and the organist first-rate. It soothed him,
calmed him, eased him, as all such observances must soothe and ease
those who can accept the principles which give rise to them. On their
knees they knelt, and again and again sounded, in strains of exquisite
supplication, the great cry, common to all humanity—_Dona nobis pacem_!
Ay! give us peace; though every moment we are off our knees we may be
doing, thinking, planning, hoping that which will destroy peace, yet,
Power that we invoke, heed not that, but, since we fall on our knees,
and set it to music, and are for the moment in earnest—‘Give us peace!’
It is a cry common to all; and those who pin their faith on creeds
imagine that it will be answered. Perhaps the conviction saves some
from madness, and others from blank despair—lulls some consciences,
shoots a ray of hope into some hearts—makes their lives bearable to
those who believe that peace comes from a source outside themselves—but
remains a delusion all the same. To-night, it had the effect of a drug
upon Jerome Wellfield’s conscience. _Dona nobis pacem!_ Surely there
would be some way ‘shown’ to him out of it all. _Dona nobis pacem!_
This strife could not be meant to go on for ever. For once in his life,
he prayed—prayed from his very heart—‘Give us peace!’
Somerville, who took no part in the service, watched him curiously from
his place, in a somewhat retired corner. The keen-eyed, quick-witted
priest rapidly noted the points of resemblance between Jerome Wellfield
and his two companions. Both the latter belonged to old Roman Catholic
families, and bore names of world-wide celebrity; both were amongst the
eldest and most advanced of the students, and already showing signs of
manhood, in deep voices and a dark line on the upper lip; they might,
therefore, justly be compared with Wellfield. All three had the same
high-bred pride of bearing, the pale, rather disdainful, features; the
same distinctly haughty carriage of head and shoulders—to each and all
was common a certain dreamy _schwärmerisch_ expression, indefinable,
but palpable—an expression which any acute observer must have noted.
Public-domain text, read in full here on John Shaqi.
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