The Wellfields: A novel. Vol. 2 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 2 of 3
Fothergill, Jessie
English fiction -- 19th century
‘I am certain it’s some wretched love affair!’ he muttered, as he
strode abstractedly away from the Jägerstrasse towards his own house.
‘Good heavens! to think of _that_ woman’s talent being palsied by some
wretched sentimental _Schwärmerei_; it is horrible. Why is not genius
created senseless, sexless, sentimentless? But then, of course, it
could never appeal to sense, and sex, and sentiment, as it must if it
is to be an influence. It is a thousand pities, it is lamentable. And
Falkenberg wrote of her in what might for him be called enthusiastic
strains. I wish there were some way of saving her. I wish the man would
play false, or that some shock would rouse her from this apathy!’
It may here be casually observed that Professor Wilhelmi cherished a
conviction that he understood woman, and could account for and cure
all her vagaries, had he but the power placed in his hands. It was a
delusion broken every day by the conduct of his own wife and daughter,
to whom, in all matters outside his art, he was a slave, but he lived
in it still, and would live in it till he died.
Meantime the Indian summer dawned, and flamed itself out here too, as
well as at Wellfield. September went out, and October was ushered in
with unusual mildness and glory. It was a sight to gladden the eyes of
an artist, even the low flat country which at Elberthal stretches for
unbroken miles on either side the broad Rhine. For there were glorious
sunsets, colouring river, and field, and town, with strange glorified
lights, and at that sunset-time in the Hofgarten, the yellow golden
beams shone in a glowing, dazzling mist through the autumn trees, and
flooded every twig, every stick and stone, with mellow radiance. At
that time the stalls of the old women at the street corners were piled
high with grapes, and plums, and russet pears, which fruits were to be
purchased for almost nothing. At that time it was good to sail down
the river to Kaiserswerth, or up the stream to Neuss, and to return at
sunset, and watch the pomp of it glorifying the majestic river. There
was no striking beauty of crag or waterfall, of castled Drachenfels or
magic Loreley, but there were the great plains stretching Hollandwards,
dressed in their autumn garments; the broad expanse of water sweeping
by, strong and untroubled; the busy humming town behind, with its
throb of varied life, its many interests, its treasures of art and joy,
its music and melody, inseparable from all true German life.
Public-domain text, read in full here on John Shaqi.
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