The Wellfields: A novel. Vol. 3 of 3Fothergill, Jessie
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The Wellfields: A novel. Vol. 3 of 3
Fothergill, Jessie
English fiction -- 19th century
She dressed herself hastily, and prepared some coffee, of which she
induced Sara to partake. The day dragged on. No one came near. Even
Falkenberg failed in his usual call. Sara said nothing to Ellen of
any suffering she endured. The woman could only guess from the utter
transformation of her usual ways and habits that she was enduring
tortures, and her own pain and perplexity increased. Once Sara went to
her studio, and began to paint; but in a moment she flung down brush
and palette, and began to pace about the bare boards, restlessly.
She did not resume the effort: it had been in the first instance
mechanical.
The day appeared like a week to Ellen. It was November, when the
daylight soon faded. The weather was cold; there was a foretaste
already of a biting winter, in a sharp, black frost, and a leaden sky,
which caused the day to close in even earlier than usual.
It was evening. Sara had taken up a book, and was gazing unseeingly at
the page, and turning over the leaves restlessly. Suddenly she closed
the book, and said:
‘Is not this Wednesday, Ellen?’
‘Yes, Miss Sara, it is.’
‘It is Frau Wilhelmi’s evening at home. I shall go. And if I do, it is
time to get ready at once. Will you just go and get my dress?’
‘Miss Ford! you are not fit to go out,’ exclaimed Ellen, desperation
lending boldness to her.
Sara looked at her, and repeated her order. Ellen, in distress, asked
which dress she would wear.
‘Oh, any. The old black velvet–that will be best, for it is cold.’
Ellen was perforce obliged to go and get out the dress, and help Sara
to make her toilette, feeling all the time that it was as if she
attired a ghost. When she was ready the young lady looked beautiful, as
usual, but it was with a kind of beauty which no sane person cares to
see. Face and lips were ghastly white; there was a deathlike composure
and calm in her expression; only those beautiful eyes looked restlessly
forth, dark and clouded, and full of a misery which surpassed the power
of words to utter, or tears to alleviate. Sara hardly knew herself
why she was going out; there was a vague consciousness that her own
thoughts and the horrible suffering they brought with them were
becoming rapidly intolerable; that soon, if she did not see and speak
to some other beings, she would shriek aloud, or lose her reason, or
that something terrible would happen. She looked at herself in the
glass, and Ellen suggested that she wanted a little rouge.
‘Rouge!’ repeated Sara, laughing drily; ‘why, I am in a fever. Feel my
hand!’
Ellen took it, and incidentally felt as well, while her finger rested
on Miss Ford’s wrist, that her pulse was beating with an abnormal
rapidity. But the hand was burning as she had said.
With a dark foreboding of evil, Ellen threw a cloak around the girl’s
shoulders, and put on her own shawl and bonnet to accompany her, for
the Wilhelmi’s house was hard by, and at Elberthal it was the custom to
walk to every kind of entertainment.
Public-domain text, read in full here on John Shaqi.
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