Historical fiction; King Philip's War, 1675-1676 -- Fiction; War stories
an exhibition of a violence more ruthless even than common, he was openly
rewarded by another laugh. The soft, exquisitely feminine tones of this
involuntary burst of pleasure, sounded in the ears of Ruth like a knell
over the moral beauty of her child. Still subduing her feelings, she
passed a hand thoughtfully over her own pallid brow, and appeared to muse
long on the desolation of a mind that had once promised to be so pure.
The colonists had not yet severed all those natural ties which bound them
to the eastern hemisphere. Their legends, their pride, and in many
instances their memories, aided in keeping alive a feeling of amity, and
it might be added of faith, in favor of the land of their ancestors. With
some of their descendants, even to the present hour, the _beau ideal_ of
excellence, in all that pertains to human qualities and human happiness,
is connected with the images of the country from which they sprung.
Distance is known to cast a softening mist, equally over the moral and
physical vision. The blue outline of mountain which melts into its glowing
background of sky, is not more pleasing than the pictures which fancy
sometimes draws of less material things; but, as he draws near, the
disappointed traveller too often finds nakedness and deformity, where he
so fondly imagined beauty only was to be seen. No wonder then that the
dwellers of the simple provinces of New-England blended recollections of
the country they still called home, with most of their poetical pictures
of life. They retained the language, the books, and most of the habits, of
the English. But different circumstances, divided interests, and peculiar
opinions, were gradually beginning to open those breaches which time has
since widened, and which promises soon to leave little in common between
the two people, except the same forms of speech and a common origin: it is
to be hoped that some charity may be blended with these ties.
Public-domain text, read in full here on John Shaqi.
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