Overland journeys to the Pacific; West (U.S.) -- Description and travel
_Snapping a Rope on a Horse’s Foot_ 130
_Hillingdon Ranch_ 133
_Fixing a Break in the Wire Fence_ 137
_Gathering the Rope_ 141
_Reaction Equals Action_ 145
_Tail-piece_ 148
_The Cheyenne Type_ 152
_Big Bull_ 155
_One of Williamson’s Stages_ 159
_The Beef Issue at Anadarko_ 163
_Indian Boy and Pinto Pony_ 169
_A Kiowa Maiden_ 175
_A One-company Post at Oklahoma City_ 187
_The Omnipotent Bugler_ 191
_United States Military Post at San Antonio_ 195
_United States Cavalryman in Full Dress_ 199
_United States Military Post--Infantry Parade_ 203
_Fort Houston, at San Antonio--Officers’ Quarters_ 207
_The Barracks, Fort Houston_ 210
_Gateway of the Garden of the Gods, and Pike’s Peak_ 217
_Within the Gates, Garden of the Gods_ 223
_Polo Above the Snow-line at Colorado Springs_ 227
_Mount of the Holy Cross_ 233
_Pike’s Peak from Colorado Springs_ 239
I
FROM SAN ANTONIO TO CORPUS CHRISTI
[Illustration: THE WEST FROM A CAR-WINDOW
By
Richard Harding Davis.]
I
FROM SAN ANTONIO TO CORPUS CHRISTI
IT is somewhat disturbing to one who visits the West for the first time
with the purpose of writing of it, to read on the back of a railroad
map, before he reaches Harrisburg, that Texas “is one hundred thousand
square miles larger than all the Eastern and Middle States, including
Maryland and Delaware.” It gives him a sharp sensation of loneliness,
a wish to apologize to some one, and he is moved with a sudden desire
to get out at the first station and take the next train back, before
his presumption is discovered. He might possibly feel equal to the fact
that Texas is “larger than all of the Eastern and Middle States,” but
this easy addition of one hundred thousand square miles, and the casual
throwing in of Maryland and Delaware like potatoes on a basket for good
measure, and just as though one or two States more or less did not
matter, make him wish he had sensibly confined his observations to that
part of the world bounded by Harlem and the Battery.
Public-domain text, read in full here on John Shaqi.
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