Overland journeys to the Pacific; West (U.S.) -- Description and travel
It would be an incomplete story of life at a post which said nothing
of the visits of homesickness, which, many strong men in the West have
confessed to me, is the worst sickness with which man is cursed. And
it is an illness which comes at irregular periods to those of the men
who know and who love the East. It is not a homesickness for one home
or for one person, but a case of that madness which seized Private
Ortheris, only in a less malignant form, and in the officers’ quarters.
An impotent protest against the immutability of time and of space is
one of its symptoms--a sick disgust of the blank prairie, blackened by
fire as though it had been drenched with ink, the bare parade-ground,
the same faces, the same stories, the same routine and detailed life,
which promises no change or end; and with these a longing for streets
and rows of houses that seemed commonplace before, of architecture
which they had dared to criticise, and which now seems fairer than the
lines of the Parthenon, a craving to get back to a place where people,
whether one knows them or not, are hurrying home from work under the
electric lights, to the rush of the passing hansoms and the cries of
the “last editions,” and the glare of the shop-windows, to the life of
a great city that is as careless of the exile’s love for it as is the
ocean to one who exclaims upon its grandeur from the shore; a soreness
of heart which makes men while it lasts put familiar photographs out of
sight, which makes the young lieutenants, when the band plays a certain
waltz on the parade at sundown, bite their chin-straps, and stare ahead
more fixedly than the regulations require. Some officers will confess
this to you, and some will not. It is a question which is the happier,
he who has no other scenes for which to care, and who is content, or he
who eats his heart out for a while, and goes back on leave at last.
VIII
THE HEART OF THE GREAT DIVIDE
VIII
THE HEART OF THE GREAT DIVIDE
Public-domain text, read in full here on John Shaqi.
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