Bone, Muirhead, Sir, 1876-1953; World War, 1914-1918 -- Art and the war; World War, 1914-1918 -- Pictorial works
Schwaben Redoubt to remind unwary walkers at Pozières Windmill that
enemy eyes still watched the lost ground.
Among the wreckage of the countryside you can detect the traces of old
standing comfort and rustic wealth. The many wayside windmills show
you how much corn was grown. In size and plan they are curiously like
the mighty stone dovecotes of Fifeshire. Almost as frequent as ruined
windmills are ruined sugar refineries, standing a little detached in
the fields, like the one at Courcelette, for which armies fought as
they fought for the neighbouring windmill. Beet was the next crop to
grain. There were little industries, too, like the making of buttons
for shirts at Fricourt, where you see by the road small refuse heaps
of old oyster shells with many round holes where the little discs have
been cut cleanly out of the mother-of-pearl, though all other trace of
the factories has vanished. Each village commune had its wood, with
certain rights for the members of the commune to take timber; Fricourt
Wood at the doors of Fricourt, Mametz Wood rather far from Mametz, as
there was no good wood nearer. All these woods were well fenced and
kept up, like patches of hedged cover dotted over a park. It was a good
country to live in, and good men came from it. The French Army Corps
that drew on these villages for recruits has won honour beyond all
other French Corps in the battle of the Somme.
Many skilled writers have tried to describe the aghast look of these
fields where the battle had passed over them. But every new visitor
says the same thing--that they had not succeeded; no eloquence has yet
conveyed the disquieting strangeness of the portent. You can enumerate
many ugly and queer freaks of the destroying powers--the villages not
only planed off the face of the earth but rooted out of it, house by
house, like bits of old teeth; the thin brakes of black stumps that
used to be woods, the old graveyards wrecked like kicked ant-heaps,
the tilth so disembowelled by shells that most of the good upper mould
created by centuries of the work of worms and men is buried out of
sight and the unwrought primeval subsoil lies on the top; the sowing of
the whole ground with a new kind of dragon’s teeth--unexploded shells
that the plough may yet detonate, and bombs that may let themselves off
if their safety pins rust away sooner than the springs within. But no
piling up of sinister detail can express the sombre and malign quality
of the battlefield landscape as a whole. “It makes a goblin of the
sun”--or it might if it were not peopled in every part with beings so
reassuringly and engagingly human, sane and reconstructive as British
soldiers.
G. H. Q., France.
_January, 1917._
XXI
AMIENS CATHEDRAL
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