Bone, Muirhead, Sir, 1876-1953; World War, 1914-1918 -- Art and the war; World War, 1914-1918 -- Pictorial works
All this turning of tables has been brought about by one cause, in the
sense that if that cause had been absent, the care and skill of the
finest leaders, the daring of all our airmen, the staunchness of all
our infantry would have been strength to no purpose. Munition workers
have woven the curtain of smoke that our gunners now draw between our
advancing troops and the eyes of their enemy. It is munitions that,
thrown from our howitzers, make level roads through the tangles of wire
on which, in the old days, the corpses of whole platoons of our men
were hung up to rot and look, from far off, like washing put out to
dry on thorned hedges. It is munitions that, when we attack, hold back
the hostile supports behind a wall of falling bullets as hard to pass
as Adam found the flaming sword at the gate. It is, then, not without
reason that in this sheaf of drawings of the war on the Western front
are included some drawings of guns and shells in the making. They are
drawings of victory in the making, and of the saving of hundreds of
thousands of British lives.
G.H.Q., FRANCE,
_March, 1917_
LXI
MOUNTING A GREAT GUN
One of the largest guns viewed from the breech. However many large guns
may have been turned out by the same men before, a glow of pride is
always felt in a gun shop when one more masterpiece like this is ready
at last to go out to its work in the field.
[Illustration]
LXII
ERECTING AEROPLANES
A great contrast to the scenes in the gun shop. Here everything is
light and delicate, the bright, varnished wood curved to delicate
shapes like violins, the women flitting with their needlecraft around
the wide, dazzling planes and the brilliant pigmy engines shining like
jewels--all seem gay and exhilarating after the sombre company of the
guns. There is even a lightsome airiness about the thought that these
delicate creations _fly_ away from their makers’ hands when completed
and do not burden any railway with their transit.
[Illustration]
LXIII
AN AEROPLANE ON THE STOCKS
Another view of the same shop. Close to, the propeller seems a great
thing, wonderfully subtle in its graceful curves.
[Illustration]
LXIV
THE GIANT SLOTTERS
These machines are among the largest of their kind. A row of them,
jutting colossally forward like the heads of Egyptian sculptured lions,
make an impressive feature in the spacious avenues of a great machine
shop. The nearer machine is at work on part of a big gun mounting.
[Illustration]
LXV
NIGHT WORK ON THE BREECH OF A GREAT GUN
The breech is open: underneath it, hidden from sight, the mechanics
are at work. Such a scene has a special appeal to those who loved the
stories of Jules Verne in their youth. These largest of all guns seem
as if they could fulfil the hopes of Verne’s sanguine President of
the Gun Club and justify his fervid belief in ballistics as your only
science.
[Illustration]
LXVI
THE HOWITZER SHOP
Public-domain text, read in full here on John Shaqi.
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