Bone, Muirhead, Sir, 1876-1953; World War, 1914-1918 -- Art and the war; World War, 1914-1918 -- Pictorial works
The hour is Retreat and a Sergeant-Major is inspecting the three men
for duty at a one-man post during the coming night. Each man in turn
will do two hours’ duty, followed by four hours’ rest. The fine austere
drawing of the sunset, the wide waste spaces, the intent men mounting
picket and the men off duty strolling at ease, is imbued with the
spirit of the region just behind our front.
[Illustration]
X
DUG-OUTS
A small hamlet of sand-bagged dug-outs a little behind the front line,
seen during a passing lift of the clouds at the end of a wet day.
Many dug-outs, like the one on the left, bear such names as “The Rat
Hole,” “It,” “Some Dug-out, believe ma,” “The Old Curiosity Shop” and
“The Ritz.” On the right, a shelf in the outer wall of sand-bags is
decorated with flowers in pots.
[Illustration]
XI
GORDON HIGHLANDERS: OFFICERS’ MESS
In the bare dancing hall of a village inn behind the Somme Front. The
artist has found means to interpret with the utmost sympathy and power
the extraordinary romantic quality that there often is about a Highland
mess in France, created by the rude setting, the primitive half light
amidst cavernous gloom, and the spectator’s sense of an enveloping
world of strange dangers and adventures.
[Illustration]
XII
WAITING FOR THE WOUNDED
A British advance has just begun, and the surgeons of a Divisional
Collecting Station near the Somme are awaiting the arrival of the first
laden stretcher-bearers. In a few minutes the three officers will be at
work, perhaps for twenty-four hours on end. At one Casualty Clearing
Station a distinguished surgeon performed, without resting, nineteen
difficult operations, each lasting more than an hour, in cases of
severe abdominal wounds, where delay would have meant the loss of life.
In almost every case the man was saved. Another surgeon operated for
thirty-six hours without relief. Such devotion is not exceptional in
the R.A.M.C.
[Illustration]
XIII
THE HAPPY WARRIOR
The place is a field dressing station. The wounded Grenadier Guardsman
in the foreground on the left, wearing a German helmet and eating bread
and jam, had brought in as prisoner the German who is sitting on the
right with his hand to his face. The Guardsman indicated the German to
the artist, and said, “Won’t you draw my pal here, too, Sir? He and me
had a turn-up this morning when we took their trench, and he jabbed me
in the arm and I jabbed him in the eye, and we’re the best of friends.”
Other Germans are sitting in attitudes characteristic of newly-made
prisoners.
[Illustration]
XIV (a and b)
RED CROSS BARGES ON THE SOMME
Public-domain text, read in full here on John Shaqi.
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