While things have gone on, we have conducted our business and returned each evening to our armchairs by the fire. There we have sat at ease and reviewed the world. Events have come to pass. Diplomats have quarrelled gravely over the wording of a document. From our evening papers we have gathered a languid interest in the controversy. Six months later we pick up the paper and find that the dispute is still going on. A German and an Englishman play a game of chess over the cable. This too is reported in our journal, and we follow its progress with attention through the weeks of its duration. Somebody agitates the establishment of a new industry in our native town. It will raise the value of our real estate, so we attend meetings for some months and talk about it, after which the industry is assured. Two years later it is in operation and we congratulate ourselves. Friends of our younger days marry; and before we know it their houses are noisy with the shoutings of children. Leisurely we grow older. Our ideas become fixed, often by the most trivial of circumstances. Africa means tangled forest; India, a jungle; Siberia, broad snow plains; all South America, a dripping stillness of tropical verdure; simply because somewhere, some time, a book or paper, the woodcut of a child's lesson, has so generalized them for us. Against these preconceived notions the events we read about are cast. In very much this way the constant facts of the West have been to us the Indian and the buffalo. Before our eyes the Master Showman has held insistently this picture. Against the background of the occidental hills or the flat reach of the grass-nodding prairies has posed in solemn gravity the naked warrior, leaning from his pony upon his feather-bedecked lance; or, in the choking dust of its own progression, has lumbered heavily the buffalo myriad. These have seemed permanent--the man and the beast. Then, before our protesting conservatism, the scene has dissolved in a mist of strange shapes and violent deeds, only to steady a moment later into a new picture. The mounted figure has disappeared, and in his place, against the glow of sunset, the sturdy form of the husbandman grasps the shaft of his plough, gazing past the tired horses, and brooding the slow thoughts of his calling. The last rays catch the sheen of grain--a sea of it--and shimmer lightly until they lose themselves in contrast with the square of ruddy light that marks the windows of a farmhouse.