"Look here, Doreen, be reasonable," said he. "You can do no good to
Dudley, believe me. He has got into some dreadful mess or other; but
it's nothing that you or I or any earthly creature can help him out of.
I confess I didn't tell you all I found out when I went up to town. I
couldn't. I can't now. But if you will persist, and if nothing else will
keep you quietly here, I--well, I promise to go up again. And I'll
warrant if I do I shall learn something which will convince even
_you_ that you must give up every thought of him."
"Will you promise," said Doreen, solemnly, "to tell me all you find
out?"
"No," replied Max, promptly, "I won't promise that. I can't. But I think
you can trust me to tell you as much as you ought to know."
With this promise Doreen was obliged to be content. And when, at
luncheon time, it was discovered that certain things were wanted from
town, and Max offered to go up for them, Doreen and her brother
exchanged a look from which she gathered that he would not forget her
errand.
Max had plenty of time, while he was being jolted from Datton to Cannon
Street, to decide on the best means of carrying out his promise. He
decided that a visit to Limehouse, to the neighborhood where the
property of the late Mr. Horne had been situated, would be better than
another visit to Dudley.
Plumtree Wharf was, he knew, the name of the most important part of the
property which had belonged to Dudley's father. Putting together the two
facts of the discovery of a ticket for Limehouse in Dudley's possession,
and of the disappearance of Edward Jacobs after a visit to that locality
on the same day, Max saw that there was something to be gleaned in that
neighborhood, if he should have the luck to light upon it.
It was late in the afternoon, and already dark, before he got out of the
train at Limehouse station, and began the exploration of the unsavory
district which fringes the docks.
Through street after street of dingy, squalid houses he passed; some
broken up by dirty little shops, some presenting the dull uniformity of
row after row of mean, stunted brick buildings, the broken windows of
many of which were mended with brown paper, or else not mended at all.
Here and there a grimy public house, each with its group of loafers
about the doors, made, with the lights in its windows, a spot of
comparative brightness.
Many of the streets were narrow and tortuous, roughly paved, and both
difficult and dangerous to traverse by the unaccustomed foot passenger,
who found himself now slipping on a piece of orange peel, the pale color
of which was disguised by mud, now risking the soundness of his ankles
among the uneven and slimy stones of the road.
Public-domain text, read in full here on John Shaqi.
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