The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
General
The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
THE WHEELS OF CHANCE;
A BICYCLING IDYLL
By H.G. Wells
1896
To
MY DEAR MOTHER
CONTENTS
CHAPTER I. THE PRINCIPAL CHARACTER IN THE STORY
CHAPTER II
CHAPTER III
CHAPTER IV. THE RIDING FORTH OF MR. HOOPDRIVER
CHAPTER V. THE SHAMEFUL EPISODE OF THE YOUNG LADY IN GREY
CHAPTER VI. ON THE ROAD TO RIPLEY
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX. HOW MR. HOOPDRIVER WAS HAUNTED
CHAPTER X. THE IMAGININGS OF MR. HOOPDRIVER’S HEART
CHAPTER XI. OMISSIONS
CHAPTER XII. THE DREAMS OF MR. HOOPDRIVER
CHAPTER XIII. HOW MR. HOOPDRIVER WENT TO HASLEMERE
CHAPTER XIV. HOW MR. HOOPDRIVER REACHED MIDHURST
CHAPTER XV. AN INTERLUDE
CHAPTER XVI. OF THE ARTIFICIAL IN MAN, AND OF THE ZEITGEIST
CHAPTER XVII. THE ENCOUNTER AT MIDHURST
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX. THE PURSUIT
CHAPTER XXI. AT BOGNOR
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV. THE MOONLIGHT RIDE
CHAPTER XXV.
CHAPTER XXVI. THE SURBITON INTERLUDE
CHAPTER XXVII. THE AWAKENING OF MR. HOOPDRIVER
CHAPTER XXVIII. THE DEPARTURE FROM CHICHESTER
CHAPTER XXIX. THE UNEXPECTED ANECDOTE OF THE LION
CHAPTER XXX. THE RESCUE EXPEDITION
CHAPTER XXXI.
CHAPTER XXXII. MR. HOOPDRIVER, KNIGHT ERRANT
CHAPTER XXXIII. THE ABASEMENT OF MR. HOOPDRIVER
CHAPTER XXXIV.
CHAPTER XXXV.
CHAPTER XXXVI.
CHAPTER XXXVII. IN THE NEW FOREST
CHAPTER XXXVIII. AT THE RUFUS STONE
CHAPTER XXXIX.
CHAPTER XL.
CHAPTER XLI. THE ENVOY
I.
THE PRINCIPAL CHARACTER IN THE STORY
If you (presuming you are of the sex that does such things)—if you had
gone into the Drapery Emporium—which is really only magnificent for
shop—of Messrs. Antrobus & Co.—a perfectly fictitious “Co.,” by the
bye—of Putney, on the 14th of August, 1895, had turned to the
right-hand side, where the blocks of white linen and piles of blankets
rise up to the rail from which the pink and blue prints depend, you
might have been served by the central figure of this story that is now
beginning. He would have come forward, bowing and swaying, he would
have extended two hands with largish knuckles and enormous cuffs over
the counter, and he would have asked you, protruding a pointed chin and
without the slightest anticipation of pleasure in his manner, what he
might have the pleasure of showing you. Under certain circumstances—as,
for instance, hats, baby linen, gloves, silks, lace, or curtains—he
would simply have bowed politely, and with a drooping expression, and
making a kind of circular sweep, invited you to “step this way,” and so
led you beyond his ken; but under other and happier
conditions,—huckaback, blankets, dimity, cretonne, linen, calico, are
cases in point,—he would have requested you to take a seat, emphasising
the hospitality by leaning over the counter and gripping a chair back
in a spasmodic manner, and so proceeded to obtain, unfold, and exhibit
his goods for your consideration. Under which happier circumstances you
might—if of an observing turn of mind and not too much of a housewife
Public-domain text, read in full here on John Shaqi.
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