you may have heard before, and the man has a pretty perverted ambition to be a cynical artistic person of the very calmest description. He is hoping for the awakening of Passion in her, among other things. He knows Passion ought to awaken, from the text-books he has studied. He knows she admires his genius, but he is unaware that she does not admire his head. He is quite a distinguished art critic in London, and he met her at that celebrated lady novelist’s, her stepmother, and here you have them well embarked upon the Adventure. Both are in the first stage of repentance, which consists, as you have probably found for yourself, in setting your teeth hard and saying’ “I _will_ go on.” Things, you see, have jarred a little, and they ride on their way together with a certain aloofness of manner that promises ill for the orthodox development of the Adventure. He perceives he was too precipitate. But he feels his honour is involved, and meditates the development of a new attack. And the girl? She is unawakened. Her motives are bookish, written by a haphazard syndicate of authors, novelists, and biographers, on her white inexperience. An artificial oversoul she is, that may presently break down and reveal a human being beneath it. She is still in that schoolgirl phase when a talkative old man is more interesting than a tongue-tied young one, and when to be an eminent mathematician, say, or to edit a daily paper, seems as fine an ambition as any girl need aspire to. Bechamel was to have helped her to attain that in the most expeditious manner, and here he is beside her, talking enigmatical phrases about passion, looking at her with the oddest expression, and once, and that was his gravest offence, offering to kiss her. At any rate he has apologised. She still scarcely realises, you see, the scrape she has got into. XVII. THE ENCOUNTER AT MIDHURST We left Mr. Hoopdriver at the door of the little tea, toy, and tobacco shop. You must not think that a strain is put on coincidence when I tell you that next door to Mrs. Wardor’s—that was the name of the bright-eyed, little old lady with whom Mr. Hoopdriver had stopped—is the Angel Hotel, and in the Angel Hotel, on the night that Mr. Hoopdriver reached Midhurst, were ‘Mr.’ and ‘Miss’ Beaumont, our Bechamel and Jessie Milton. Indeed, it was a highly probable thing; for if one goes through Guildford, the choice of southward roads is limited; you may go by Petersfield to Portsmouth, or by Midhurst to Chichester, in addition to which highways there is nothing for it but minor roadways to Petworth or Pulborough, and cross-cuts Brightonward. And coming to Midhurst from the north, the Angel’s entrance lies yawning to engulf your highly respectable cyclists, while Mrs. Wardor’s genial teapot is equally attractive to those who weigh their means in little scales. But to people unfamiliar with the Sussex roads—and such were the three persons of this story—the convergence did not appear to be so inevitable.