The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
General
The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
But enough of these revelations. The central figure of our story is now
going along behind the counter, a draper indeed, with your purchases in
his arms, to the warehouse, where the various articles you have
selected will presently be packed by the senior porter and sent to you.
Returning thence to his particular place, he lays hands on a folded
piece of gingham, and gripping the corners of the folds in his hands,
begins to straighten them punctiliously. Near him is an apprentice,
apprenticed to the same high calling of draper’s assistant, a ruddy,
red-haired lad in a very short tailless black coat and a very high
collar, who is deliberately unfolding and refolding some patterns of
cretonne. By twenty-one he too may hope to be a full-blown assistant,
even as Mr. Hoopdriver. Prints depend from the brass rails above them,
behind are fixtures full of white packages containing, as inscriptions
testify, _Lino, Hd Bk_, and _Mull_. You might imagine to see them that
the two were both intent upon nothing but smoothness of textile and
rectitude of fold. But to tell the truth, neither is thinking of the
mechanical duties in hand. The assistant is dreaming of the delicious
time—only four hours off now—when he will resume the tale of his
bruises and abrasions. The apprentice is nearer the long long thoughts
of boyhood, and his imagination rides _cap-à-pie_ through the chambers
of his brain, seeking some knightly quest in honour of that Fair Lady,
the last but one of the girl apprentices to the dress-making upstairs.
He inclines rather to street fighting against revolutionaries—because
then she could see him from the window.
Jerking them back to the present comes the puffy little shop-walker,
with a paper in his hand. The apprentice becomes extremely active. The
shopwalker eyes the goods in hand. “Hoopdriver,” he says, “how’s that
line of g-sez-x ginghams?”
Hoopdriver returns from an imaginary triumph over the uncertainties of
dismounting. “They’re going fairly well, sir. But the larger checks
seem hanging.”
The shop-walker brings up parallel to the counter. “Any particular time
when you want your holidays?” he asks.
Hoopdriver pulls at his skimpy moustache. “No—Don’t want them too late,
sir, of course.”
“How about this day week?”
Hoopdriver becomes rigidly meditative, gripping the corners of the
gingham folds in his hands. His face is eloquent of conflicting
considerations. Can he learn it in a week? That’s the question.
Otherwise Briggs will get next week, and he will have to wait until
September—when the weather is often uncertain. He is naturally of a
sanguine disposition. All drapers have to be, or else they could never
have the faith they show in the beauty, washability, and unfading
excellence of the goods they sell you. The decision comes at last.
“That’ll do me very well,” said Mr. Hoopdriver, terminating the pause.
The die is cast.
Public-domain text, read in full here on John Shaqi.
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