The Whip Hand: A Tale of the Pine Country — John Shaqi
The Whip Hand: A Tale of the Pine CountryMerwin, Samuel
General
The Whip Hand: A Tale of the Pine Country
Merwin, Samuel
Great Lakes Region (North America) -- Fiction; Love stories; Lumber trade -- Fiction
“I don't know another fellow I could come to with a question like this,
Jack; but you understand these things; you know life. You've learned
things already that the rest of us spend the most of our lives finding
out. Now what would you say--how far do you think a man ought to go in
sticking to the idea of an education?” Le Due's “education,” for several
years now, had consisted of the study of elocution, with an occasional
peck at English Literature or the French language, and a few, a very
few, disastrous examinations. “I've got an offer to quit college right
now to go in as second comedian with the Pooh Bah Company. They offer
thirty dollars a week to begin with, with every prospect for a future.
It is a rising company, you see--a sure thing. They are as safe as the
First National Bank. If that were just the work I wanted, I couldn't do
better.”
Halloran was sitting back with his hat down on his forehead, listening
conscientiously, but losing a word now and then, thanks to the roar of
the train.
“You see, old chap, I set my mind on Shakespeare when I first came to
college. I decided then it would be Shakespeare or nothing with me.
A man's got to have a goal, you know; he's got to aim high or he will
never get anywhere; and my goal has been Shakespeare. But the question
is just this: Ought I to give up this offer, when it may be my chance
to get a good start on the stage? I might be able to work up into
Shakespeare by keeping at this for awhile, and making a professional
acquaintance, and saving up money. Men have done it, you know. What do
you say?” He evidently really expected an answer, so Halloran gave it to
him.
“I am afraid you'll have to decide that for yourself, Apples. If you
care enough for first-class work to stick it out in college and then
take your chances, you ought to do it: if you don't, take this. That's
all I can say.”
With which casual conversation did an evening begin that later promised
to influence considerably the lives of several members of the party.
They found a crowd of ragged boys and girls at the Settlement. Le Duc
was to “read” for them; but he found himself fairly eclipsed by the
performances of two of their own number, one a youthful dancer with a
wizened face and remarkably thin legs, named Jimmie McGinnis, the other
a dark-eyed girl, one Lizzie Bigelow, who sang some popular songs in a
really good natural voice.
This girl made an immediate impression on Apples. At the close of her
first song he stopped applauding long enough to say confidentially to
Halloran, “Remarkable what a lot of talent you find among these people.
That girl ought to be in the profession. Really a stunning girl--and
clever, awfully clever. Splendid! Splendid!” he exclaimed again, turning
toward her as she came into the hall, and applauding vigorously.
She laughed and shook her head, but made no reply. She evidently liked
applause.
“You must have studied--to sing like that,” Le Duc went on.
Public-domain text, read in full here on John Shaqi.
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