England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
Long before the close of the piece, Rolfe had ceased to listen, his
thoughts drifting hither and hither on a turbid flood of emotion.
During the last passage--_Allegro molto leggieramente_--he felt a
movement round about him as a general relief, and when, on the last
note, there broke forth (familiar ambiguity) sounds of pleasure and of
applause, he at once stood up. But he had no intention of pressing into
the throng that rapidly surrounded the musicians. Seeing that Mr.
Redgrave had vacated his place, whilst Mrs. Carnaby remained seated, he
stepped forward to speak with his friend's wife. She smiled up at him,
and lifted a gloved finger.
'No! Please don't!'
'Not sit down by you?'
'Oh, certainly. But I saw condolence in your face, and I'm tired of it.
Besides, it would be mere hypocrisy in you.'
Harvey gave a silent laugh. He had tried to understand Sibyl Carnaby,
and at different times had come to very different conclusions regarding
her. All women puzzled, and often disconcerted, him; with Sibyl he
could never talk freely, knowing not whether to dislike or to admire
her. He was not made on the pattern of Cyrus Redgrave, who probably
viewed womankind with instinctive contempt, yet pleased all with the
flattery of his homage.
'Well, then, we won't talk of it,' he said, noticing, in the same
moment, that her person did not lack the adornment of jewels. Perhaps
she had happened to be wearing these things on the evening of the
robbery; but Rolfe felt a conviction that, under any circumstances,
Sibyl would not be without rings and bracelets.
'They certainly improve,' she remarked, indicating the quartet with the
tip of her fan.
Her opinions were uttered with calm assurance, whatever the subject. An
infinite self-esteem, so placid that it never suggested the vulgarity
of conceit, shone in her large eyes and dwelt upon the beautiful curve
of her lips. No face could be of purer outline, of less sensual
suggestiveness; it wore at times an air of cold abstraction which was
all but austerity. Rolfe imagined her the most selfish of women,
thought her incapable of sentiment; yet how was her marriage to be
accounted for, save by supposing that she fell in love with Hugh
Carnaby? Such a woman might surely have sold herself to great
advantage; and yet--odd incongruity--she did not impress one as
socially ambitious. Her mother, the ever-youthful widow, sped from
assembly to assembly, unable to live save in the whirl of fashion; not
so Sibyl. Was she too proud, too self-centred? And what ambition did
she nourish?
Public-domain text, read in full here on John Shaqi.
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