English fiction -- 20th century; Forgery -- Fiction; London (England) -- Fiction; Mystery and detective stories
Was she a madwoman? There was nothing indeed of the disorder of
madness about her. From the great white hat, loaded with long white
ostrich feathers, which crowned her golden hair, down to the long
white gloves which hung in wrinkles on her arms, and the graceful
draperies which half-hid, half-revealed, her sinuous and slender
figure, the stranger showed every sign of that studied elegance and
calculated attractiveness which comes only from taste, care and the
long experience of a characteristic but keen feminine intellect.
Audrey, having of late had to study dress as a fine art, acknowledged
herself in the presence of a past mistress of it.
No. The lady in the white draperies was not mad, wild as were her
eyes, and weirdly alarming as was her mocking laughter.
There was a moment of dead, uncanny silence, when, her laughter having
died away on her lips, the stranger, still grasping the dark curtain
as if for support, and leaning forward to fix the gaze of her terrible
dark eyes on Audrey, stood like a tigress ready to spring, panting,
struggling for the breath that came only in painful gasps, preparing
herself for an encounter which Audrey felt would be a terrible one.
Audrey looked round her fearfully, wondering whether she could escape
the trying ordeal with which she knew herself to be threatened. This
woman had, she knew, come to see her, come with some accusation,
unguessed at but evidently serious, ready on her lips as it was
already burning in her eyes.
There was a door nearly opposite to where Audrey stood by the couch;
but it was shut, and there were dress stands and lounges between it
and her.
She had a feeling that, if she were to attempt to fly, the tiger-like
stranger would spring at her, tear her to pieces with those long,
lean, white-gloved hands, that looked claw-like as they moved
nervously with every breath she drew.
And Audrey was encumbered with the weight of a magnificent black
train, glittering with paillettes and voluminous in its folds, which
she put on when she arrived at the showrooms in the morning, and
exchanged for a quiet little tailor-made gown to return at night to
her two modest rooms on the top floor over a small chemist’s shop in a
street off Oxford Street.
This handsome black gown increased the effect of a strong contrast
between her and her weird visitor. The lady in white was tall, thin;
from golden hair and whitened face to sinuous figure, a work of
finished art.
Audrey was in the first freshness of her striking natural beauty, easy
and graceful of carriage, well developed of figure, with golden hair
that lay in natural rings on her forehead, and in a twisted coil,
untidy and loose, on the top of her head.
The contrast was between natural and artificial loveliness, and the
glaring, panting stranger seemed to appreciate this fact.
Long as the time seemed, it was in truth but a few moments that they
both stood silently watching each other, neither ready to utter the
first word.
Public-domain text, read in full here on John Shaqi.
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