English fiction -- 20th century; Forgery -- Fiction; London (England) -- Fiction; Mystery and detective stories
Hurriedly withdrawing, therefore, without speaking a word, Audrey went
out upon the staircase, and into her own private room, where she kept
her walking dress. Changing quickly into this, she had just put on her
hat, with the intention of going downstairs to meet Mademoiselle Laure
on her return and to consult with her as to what she had better do,
when she was startled by the sound of the unlocking of a door, and
then by footsteps running rapidly down the stairs.
She flew to the door and looked out; but she was too late to see more
than this: that the person who was dashing down the stairs and
disappearing by the side door into the street was a man.
Who was it?
And why was not the white-clad lady with him?
Audrey hesitated only one moment, and then, full of fears she could
not have defined, ran up to the fitting-room and went in.
The room was quite dark, but she touched the electric button, and at
once a flood of soft light filled the apartment.
A cry of horror broke from her lips when, turning her eyes at once
towards a big divan which stood under the window, she saw lying at
full length upon it the body of the woman in the white dress.
Her white hat was crushed and bent under her poor lifeless head; one
hand, still in its long wrinkled white kid glove, was outstretched as
if in a last convulsion; one white kid, high-heeled walking shoe lay
on the floor. The white ostrich feather boa which had floated round
her shoulders when Audrey saw her alive was twisted round her thin
throat. The clinging white dress was bound round her motionless limbs.
And over all, dress, gloves, boa, in startling and awful contrast to
the white clothes, were marks of blood: blood which had gushed out
from her mouth and streamed over everything.
Audrey was aghast. Was this a murdered woman upon whose body she was
looking? She could not tell. For the haggard cheeks, the glassy eyes,
the laboured breath, the feeble though passionate movements, all of
which signs she had noticed in the living woman, the husky voice, the
occasional cough, had betrayed unmistakably the fact that the poor
woman was in the last stage of consumption, and her death might well
have resulted from the bursting of a blood-vessel in a moment of wild
excitement.
On the other hand, the sudden disappearance of the man who had met her
and dragged her away from the doorway was horribly suggestive. And the
feather boa which appeared to be bound round the poor woman’s thin and
wasted throat might, Audrey thought with horror, have been the means
of her death.
Public-domain text, read in full here on John Shaqi.
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