A mile more--halted at intervals by the very thing which an hour or so
before Barry Houston had come almost to hate, the tight-packed banks of
snow--then came a new emergency. One chance was left, and Barry took
it,--the "burring" of the gears in lieu of a brake. The snow was
fading now, the air was warmer; a mile or so more and he would be safe
from that threat which had driven him down from the mountain
peaks,--the possibility of death from exposure, had he, in his light
clothing, attempted to spend the night in the open. If the burred
gears could only hold the car for a mile or so more--
But a sudden, snapping crackle ended his hope. The gears had meshed,
and meshing, had broken. Again a wild, careening thing, with no snow
banks to break the rush, the car was speeding down the steepest of the
grades like a human thing determined upon self-destruction.
A skidding curve, then a straightaway, while Barry clung to the wheel
with fingers that were white with the tightness of their grip. A
second turn, while a wheel hung over the edge, a third and--
The awful, suspended agony of space. A cry. A crash and a dull,
twisting moment of deadened Suffering. After that--blackness. Fifty
feet below the road lay a broken, crushed piece of mechanism, its
wheels still spinning, the odor of gasoline heavy about it from the
broken tank, one light still gleaming, like a blazing eye, one light
that centered upon the huddled, crumpled figure of a man who groaned
once and strove vaguely, dizzily, to rise, only to sink at last into
unconsciousness. Barry Houston had lost his fight.
How long he remained there, Barry did not know. He remembered only the
falling, dizzy moment, the second or so of horrible, racking suspense,
when, breathless, unable to move, he watched the twisting rebound of
the machine from which he had been thrown and sought to evade it as it
settled, metal crunching against metal, for the last time. After that
had come agonized hours in which he knew neither wakefulness nor the
quiet of total unconsciousness. Then--
Vaguely, as from far away, he heard a voice,--the sort of a voice that
spelled softness and gentleness. Something touched his forehead and
stroked it, with the caress that only a woman's hand can give. He
moved slightly, with the knowledge that he lay no longer upon the rocky
roughness of a mountain side, but upon the softness of a bed. A pillow
was beneath his head. Warm blankets covered him. The hand again
lingered on his forehead and was drawn away. A moment more and slowly,
wearily, Barry Houston opened his eyes.
It was the room of a mountain cabin, with its skiis and snowshoes; with
its rough chinkings in the interstices of the logs which formed the
mainstay of the house, with its four-paned windows, with its
uncouthness, yet with its comfort. Barry noticed none of this. His
eyes had centered upon the form of a girl standing beside the little
window, where evidently she had gone from his bedside.
Public-domain text, read in full here on John Shaqi.
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