In a certain sense, he had been meditating flight, the summary
abandonment of his broken fortunes too far gone for satisfactory
repairing. For Roderick was a man who demanded more from society than
his talents enabled him to give in return. Not that he was, in the
general sense of the term, an adventurer. He had worked hard all his
life; but he had always just not succeeded in his undertakings. He had
written a play which an enthusiastic young manager had run at a loss for
fifty nights. A second play evoked a chorus of delight among the newer
school of critics, but had fizzled out after a week's unsatisfactory
existence. His succeeding plays went the round of rueful and
head-shaking managers. Professionally he was an artist. He painted
pictures, but prices were low. One immense and ambitious canvas hung at
the Royal Academy was to have brought him everlasting fame and fortune.
It was taken over by a firm of art publishers whose royalties on prints
after two years' waiting amounted to a few paltry pounds. Then for some
reason or the other the Academy refused to hang him. Hence his bitter
hatred of the Academy and all its works. He had written a couple of
novels which were universally belauded and nowhere bought. He was art
critic, dramatic critic, reviewer, short-story writer. This work and
the sale of such pictures as the dealers could be prevailed upon to
purchase, together with private orders for portraits, brought him a
maintenance. It would have been wealth to him who was content with beer,
comfort to him who drank modest claret, but it was penury to the man who
claimed at least 1889 champagne as a divine right. Roderick's career had
therefore been an interminable battle with society. He rode through it
a free lance, plundering it blandly whenever a chance offered. He had
scarcely ever during his life as a man been free from debt. But
his unflagging energy, his suppleness of humour, his buoyancy, his
versatility, by winning popular esteem had saved him many times from
social disaster. He played billiards too well; he played whist and poker
too well. He was too disinterested an adviser of young men in search of
ready money. Thus, somewhat paradoxically, he was welcomed at private
houses, but looked shyly upon in clubs. Yet no one had hinted a
dishonourable action. Twice or three times his father had groaningly
sent him a cheque to cover some of his more pressing debts; but in
justice to him, it must be said that in speaking of them to Matthew
Lanyon, the old man had exaggerated the extent of his culpability. Nor
had Roderick the slightest suspicion that any of Matthew Lanyon's money
had ever found its way into his own pocket.
Public-domain text, read in full here on John Shaqi.
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