When spring had come again and all the world was busy with the old
miracle of rejuvenation, when the apple orchard was sweetest and the
lilacs were a benediction and the star flowers were shining, when the
doors were opened and Nature was trying with all her might to rejuvenate
the hearts of men as easily as she pushed welling sap into bud and
bloom, one day when Mahala’s lips had cried “Why?” to the white pigeons
and the bluebirds of the orchard, her question was answered.
A livery conveyance from the village stopped at her door, and in
wonderment she watched Albert Rich and the town sheriff, the
Presbyterian minister and dear old Doctor Grayson alight from it. She
took one swift look at the party as they were coming through the gate,
and then, without stopping for thought, she flew to the back door and
gave the bell one violent spang. A pause, and then another. It was her
pre-arranged call for Jason to come with all speed.
Hearing, Jason said to Ellen: “Something has gone wrong with Mahala. She
never rang like that before. I must go.”
He dropped a rake that he was mending at the back door, raced across the
yard, sprang over the fence, crossed the road, and leaping another
fence, took a short cut toward Mahala’s back door. As he ran, he could
see the carriage, he could see the men going up the walk and crossing
the porch, and without knowing why, a sick apprehension sprang in his
heart.
He entered the back door and came through the kitchen. He reached the
door of the living room as Mahala was offering her guests seats. His
first glance was for her. He saw that her face lacked all natural colour
and he noticed that she was perfectly controlled, that she was greeting
her guests with the graciousness of the lady she had been born to be.
As she returned from laying aside their hats, Albert Rich went to meet
her. He deliberately put his arm around her. Then he said: “Mahala,
dear, Rebecca Sampson made trouble in the bank to-day. She may have
slipped or they may have been rough in putting her out, at any rate, she
fell and struck her head a severe blow. She’s now lying on the couch in
the directors’ room and every one agrees that she’s quite sane. Her
first conscious words were to ask if you found the money that Junior
Moreland told her to take from their parlour table and hide in your
house for you when no one would see her.”
“_Here?_ Does she say that she put it _here_?” cried Mahala. Both hands
were gripping her heart. She had seemed to shrink, to grow into a
helpless, childish thing. The tremors that shook her body were visible
through her clothing.
The men were eager in their acquiescence.
“She says,” answered the sheriff, “that she put it through a hole in the
plaster on the right-hand side of the front door. You’re vindicated,
Mahala, beyond a doubt in the mind of any one, but it would be better,
it would be fine, if we could discover that pocket book.”
Public-domain text, read in full here on John Shaqi.
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