As she gathered up Mahala’s nightdress and turned the bed to air, she
said to the child: “Now run, dear, and waken your father, but remember
you must not muss yourself or spend too much time.”
Mahala hurried down the hall, softly opened the door to her parents’
bedroom, and poised on her tiptoes. Her heart was racing. Her eyes were
big pools having dancing lights. Her muscles cried for exercise. She
wanted to make a flying leap and land on the bed, but she knew what her
reception would be if she did; so she crossed the room very primly and
laid a soft hand on her father’s face.
“Papa, dear,” she said, “wake up! School begins this morning and you
won’t be in time to have breakfast with me unless you hurry.”
She leaned over and kissed him and patted his face, but, when he reached
up and drew her down in his arms, she was instantly on the defensive.
“Papa, be careful!” she cautioned. “Mother has my curls made and I am
all dressed for school. She wouldn’t like it if you were to muss me.”
Instantly Mahlon’s arms relaxed.
“No, she wouldn’t like it,” he said, “and neither would I. Give Papa
another kiss and run to your music, like a little lady.”
So Mahala hurried back to her room, where she took in her arms a
beautiful wax doll, almost as large as herself, carefully carrying it
down the stairs and into the living room. With her keen eyes she
surveyed this familiar place, but the same stiffly starched lace
curtains depended from the fringed lambrequins, the same gorgeous
flowers spread among the scrolls of the Brussels carpet, the same
mahogany chairs stood, each in its exact spot, each picture covered its
size in the original freshness of the wall paper. She could not see a
thing to arrest or interest her, so she proceeded to the parlour, where
the big square piano stood among the real treasures of the house:
rosewood sofa and chairs, a parlour table having leaves, cabinets for
books and bric-a-brac, a loaded what-not, and the roses of the velvet
carpet so big and so bright that it was a naughty trick of Mahala to
pretend she stubbed her toes and stumbled over them. Here the lace
curtains fell from velvet draperies and spread widely on the floor; a
china dog guarded glass-encased hair flowers on the mantel, while the
morning-glories climbing up the wall paper must have sprung from the
same exuberant soil that furnished the originals of the carpet roses.
Mahala swept this room also with a bird-alert glance and seeing not the
change of a fleck of dust anywhere, set Belinda on a chair beside the
piano stool and surveyed her minutely.
“Belinda, can’t you sit like a little lady?” she said reprovingly. “Two
curls over each shoulder, the rest down your back; heels touching, toes
out. If I got to wear a silk dress every day, let me tell you, I’d swish
it properly.”
Public-domain text, read in full here on John Shaqi.
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