Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Kit was divided between two allegiances now. One was owing unalterably
to the light which Lady Ingilby had shown him shining from Joan’s upper
room. The other was Prince Rupert’s. Through all the muddled rides and
skirmishes and swift alarms of that hard winter, the Metcalfs had heard
constantly the praises of two men sung—Rupert’s and Cromwell’s. Rupert
had succeeded in the raising of a cavalry troop that already, rumour
said, was invincible; Cromwell was building up his Ironsides, grim and
heavy, to meet the speed and headlong dash of Rupert’s men. Gradually,
as the months went on, Kit shaped Prince Rupert to the likeness of a
hero—a little less than saint, and more than man. Whenever he came home
to Ripley, he roamed o’ nights, and looked up at Joan’s window, and
shaped her, too, to the likeness of a maid too radiant for this world.
He was in the thick of the high dreams that beset an untrained lad; but
the dreams were building knighthood into the weft and woof of him, and
no easy banter of the worldlings would alter that in years to come.
Joan played cat’s-cradle with his heart. She would flout him for a day,
and meet him at the supper-board thereafter with downcast eyes and
tender voice; and Squire Metcalf would suppress his laughter when Kit
confided to him that women were beyond his reckoning.
Soon after dawn, on a day in late April, Kit stole out for a glance at
the left wing of the Castle, where Joan’s window grew ruddy in the
sunlight. Rain was falling, and a west wind was sobbing up across the
sun. And suddenly he fancied that women were not beyond his reckoning.
They were April bairns, all of them—gusty and cold, warm and full of
cheer, by turns. He remembered other Aprils—scent of gilly-flowers in
the garden far away in Yoredale, the look of Joan as she came down the
fields to greet him—all the trouble and the fragrance of the days when
he was giving his heart to her, not knowing it.
He felt a sharp tap on his shoulder. "Day-dreaming, Kit?" laughed the
Squire of Nappa. "Oh, she’s there, my lad, safe housed. I was about to
knock on the gate, but I fancy you’d best take my message to Lady
Ingilby."
Kit was glad to take it, glad to be nearer by the width of the courtyard
to that upper window. Women—who, for the most part, are practical and
ruled by household worries—must laugh often at the men who care for them
with true romance.
When the gate was unbarred, and he had passed through, a kerchief
fluttered down—a little thing of cambric, ladylike and foolish. Kit did
not see it. His glance had roved to the upper window, and there, framed
by the narrow mullions, was Joan’s face.
"You do not care to pick it up," she said with a careless laugh. "How
rough you are, you men of Yoredale."
Kit saw the favour lying at his feet, and pinned it to his hat. When he
glanced up again, the window overhead was empty, and Lady Ingilby,
standing at his side, was bidding him good-morrow.
Public-domain text, read in full here on John Shaqi.
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