Madly she bolted for her bureau, and snatching her own motto down,
crumpled its face securely against her skirt and started for the door.
Just what the motto was no one but herself knew. Sprawling in
paint-brush hieroglyphics on a great flapping sheet of brown
wrapping-paper, the sentiment, whatever it was, had been nailed face
down to the wall for three tantalizing years.
"No you don't!" cried Zillah now, as she saw the mystery threatening so
meanly to escape her.
"No you don't!" cried Helene. "You've seen our mottoes--and now we're
going to see yours!"
Almost crazed with new terror Rae Malgregor went dodging to the
right,--to the left,--to the right again,--cleared the rocking-chair,--a
scuffle with padded hands,--climbed the trunk,--a race with padded
feet,--reached the door-handle at last, yanked the door open, and with
lungs and temper fairly bursting with momentum, shot down the
hall,--down some stairs,--down some more hall,--down some more stairs,
to the Superintendent's office where, with her precious motto still
clutched securely in one hand, she broke upon that dignitary's startled,
near-sighted vision like a young whirl-wind of linen and starch and
flapping brown paper. Breathlessly, without prelude or preamble, she
hurled her grievance into the older woman's grievance-dulled ears.
"Give me back my own face!" she demanded peremptorily. "Give me back my
own face, I say! And my own hands! I tell you I want my own hands!
Helene and Zillah say I'm insane! And I want to go home!"
CHAPTER III
Like a short-necked animal elongated suddenly to the cervical
proportions of a giraffe, the Superintendent of Nurses reared up
from her stoop-shouldered desk-work and stared forth in speechless
astonishment across the top of her spectacles.
Exuberantly impertinent, ecstatically self-conscious, Rae Malgregor
repeated her demand. To her parched mouth the very taste of her own
babbling impudence refreshed her like the shock and prickle of cracked
ice.
"I tell you I want my own face again! And my own hands!" she reiterated
glibly. "I mean the face with the mortgage in it, and the cinders--and
the other human expressions!" she explained. "And the nice grubby
country hands that go with that sort of a face!"
Very accusingly she raised her finger and shook it at the
Superintendent's perfectly livid countenance.
"Oh, of course I know I wasn't very much to look at. But at least I
matched! What my hands knew, I mean, my face knew! Pies or plowing or
May-baskets, what my hands knew my face knew! That's the way hands and
faces ought to work together! But you? you with all your rules and your
bossing and your everlasting 'S--sh! S--sh!' you've snubbed all the
know-anything out of my face--and made my hands nothing but two
disconnected machines--for somebody else to run! And I hate you! You're
a Monster! You're a ----, everybody hates you!"
Public-domain text, read in full here on John Shaqi.
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