American fiction -- 19th century; Railroad stories
Down by West Silver Creek bridge there was a water tank and a pump,
whose motive power was a mule. Close by the bank of the lazy little
river stood the watchman’s shanty, narrow, high, and painted red,
like the tank, and like hundreds of other shanties that were strung
along the line from St. Louis to Indianapolis. Rain or shine old man
Connor was always there to show his white light to the engineer of the
Midnight Express, and a white flag to the men on the White Mail in
the morning. Beyond the bridge, a round-faced lad of sixteen summers
trudged after the mule, who appeared always to be going sidewise, as a
boar goes to battle. The round-faced boy was the old watchman’s eldest
son, a good-natured, lazy lad who could not whistle a tune, but who was
forever singing, “The Hat Me Father Wore.”
When the old man had walked across the bridge and back, with his hands
behind him, glanced at the block on the figure-board to see that the
tank was full of water, filled his red light and his white light,
polished the globes, and set them both burning by the door, he would
light his pipe and sit and gaze down into the dirty delinquent river,
that came cautiously under the bridge, crept noiselessly away and lost
itself in the mournful, malarial forest.
Patient as a monk, solitary as a bandit, lonely as an outcast, the
faithful watchman dwelt by the bridge. To the gray-haired driver of the
Midnight Express, whose black steed lifted him in a short half hour out
of the great American bottoms, by the coal mines at Collinsville and
up to the tablelands of Troy, who strained his eye around the curve at
Hagler’s Tank, he showed the friendly white light. “Let her go,” it
seemed to say, and the great headlight, trembling down the long grade,
flashed a moment on the storm-stained face of the old watchman, and was
gone again. Nor did he sleep or nod or close his eyes until the dawn
of day; until he had shown the milk-white flag to the men on the White
Mail in the morning.
But time will tell upon us all. It told upon the bridge, upon the old
man and the mule. In spring the carpenters would come and fix and brace
the bridge, that had been racked and strained by ice and flood. In
spring the local doctor gave the old man something for his cough, and
the old man cut a quaking asp and fixed it in the stall for the mule to
gnaw; for its bark was the bitters the mule needed in spring.
At the far end of a raw, cold March the old man fell sick of a fever;
typhoid-pneumonia the doctor called it, a cruel combination, either
half of which could kill.
It was midsummer before he was able to take his post at the bridge
again.
In the autumn he had ague that shook his bent frame and made his old
bones ache. All night he would watch in the little shanty, all the
morning shake with ague, and burn with fever in the afternoon.
Public-domain text, read in full here on John Shaqi.
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