American fiction -- 19th century; Railroad stories
They made such a fire of dry brush and driftwood that when the Midnight
Express came round the curve at Hagler’s tank the engineer thought
the bridge was burning, and shut off. But a moment later little Jack
was at the end of the bridge moving the white light up and down, as
he had seen his father do, and the driver opened the throttle again.
Despite the fact that Tommy was close behind him, the timid boy began
to tremble and draw back as the headlight glared in his face. Tommy
seized the signal lamp and stood smiling in the face of the driver as
the great engine struck the bridge and roared past, shaking the earth
for rods around. Away the wild steed went, out toward the morning. She
had started fresh and clean from the Mississippi, she would slake, for
a brief moment, her burning thirst at the Ambraw, and at dawn drink of
the waters of the Wabash.
When the red lights on the rear of the flying train had drawn close
together and finally dropped over the bridge, Tommy turned to find
little Jack crouching at the door of the shanty.
“’Smatter uv you, Jack Connor?” demanded the freckled boy. “Guess I
better tie you under th’ bridge till yo’ git ust to the cars.”
They put the white light down on the floor, and began to practise their
writing lesson; learning to write their names so they could sign the
pay rolls when the car came up the road again. Tommy started to sing,
“The Hat Me Father Wore,” but remembering suddenly that this was the
only song Jimmie Connor had ever tried to sing, he changed off to
“Jerry Ile the Kayre,”--
“Wid a big soljer coat
Buttoned up to me troat,
All danger I would dare
Thin jint ahead an’ cinter back;
Oh! Jerry go ile th’ Kayre.”
But try as he would Tommy could not keep the clouds away from the face
of his friend. The poor lad seemed half dazed by the dreadful scenes
through which he had passed. It was nearly morning. The bonfire had
burned down to gray ashes, and the boys were sleepy.
Tommy took the red light, shook it, and turned it up. A lost dog over
by the saw-mill set up that awful unearthly howl that boys are wont
to connect in some way with abandoned farms and funerals. A hoot-owl
hooted on the top of the tank, and little Jack began to cry.
CHAPTER IV
THE FLOOD
Public-domain text, read in full here on John Shaqi.
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