Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
“What is there to stop here for? The valley is all running wild and
unprofitable. You’ve no freedom for thinking of what the other folks
think of you, and everything round you keeps the same, and so you can’t
change yourself—because everything you look at brings up the same old
feeling, and stops you from feeling fresh things. And what is there
that’s worth anything?—What’s worth having in my life?”
“I thought,” said I, “your comfort was worth having.”
He sat still and did not answer.
“What’s shaken you out of your nest?” I asked.
“I don’t know. I’ve not felt the same since that row with Annable. And
Lettie said to me: ‘Here, you can’t live as you like—in any way or
circumstance. You’re like a bit out of those coloured marble mosaics in
the hall, you have to fit in your own set, fit into your own pattern,
because you’re put there from the first. But you don’t want to be like
a fixed bit of a mosaic—you want to fuse into life, and melt and mix
with the rest of folk, to have some things burned out of you——’ She was
downright serious.”
“Well, you need not believe her. When did you see her?”
“She came down on Wednesday, when I was getting the apples in the
morning. She climbed a tree with me, and there was a wind, that was why
I was getting all the apples, and it rocked us, me right up at the top,
she sitting half way down holding the basket. I asked her didn’t she
think that free kind of life was the best, and that was how she
answered me.”
“You should have contradicted her.”
“It seemed true. I never thought of it being wrong, in fact.”
“Come—that sounds bad.”
“No—I thought she looked down on us—on our way of life. I thought she
meant I was like a toad in a hole.”
“You should have shown her different.”
“How could I when I could see no different?”
“It strikes me you’re in love.”
He laughed at the idea, saying, “No, but it is rotten to find that
there isn’t a single thing you have to be proud of.”
“This is a new tune for you.”
He pulled the grass moodily.
“And when do you think of going?”
“Oh—I don’t know—I’ve said nothing to mother. Not yet,—at any rate not
till spring.”
“Not till something has happened,” said I.
“What?” he asked.
“Something decisive.”
“I don’t know what can happen—unless the Squire turns us out.”
“No?” I said.
He did not speak.
“You should make things happen,” said I.
“Don’t make me feel a worse fool, Cyril,” he replied despairingly.
Gyp whined and jumped, tugging her chain to follow us. The grey blurs
among the blackness of the bushes were resting sheep. A chill, dim mist
crept along the ground.
“But, for all that, Cyril,” he said, “to have her laugh at you across
the table; to hear her sing as she moved about, before you are washed
at night, when the fire’s warm, and you’re tired; to have her sit by
you on the hearth seat, close and soft. . . .”
“In Spain,” I said. “In Spain.”
He took no notice, but turned suddenly, laughing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account