The White Riband; Or, A Young Female's FollyJesse, F. Tennyson (Fryniwyd Tennyson)
General
The White Riband; Or, A Young Female's Folly
Jesse, F. Tennyson (Fryniwyd Tennyson)
Girls -- Fiction; Social classes -- Fiction; Women -- Fiction
The Mayor had stepped forward, fearing lest this young person might be
annoying the heiress; the bandsmen had turned from the final survey of
their instruments to gaze; here and there various people who recognised
Loveday were pressing through the crowd, eager to see and hear.
Only Miss Le Pettit had drawn back against the protecting arm of the
gentleman who was to be her partner. Loveday still stayed, her riband
in her hands.
There came comments from the crowd.
"Loveday Strick! She'm mad! This month past she'm been like a crazy
thing about the Flora!"
"I thought all the time she must be mad to have imagined Miss Le Pettit
meant to dance along wi' she!"
"What's the maid got on? I can't rightly see."
"Old white, but a brave new sash."
At that Loveday raised her head and looked about her. A shrill voice
from the crowd answered the last speaker.
"A new sash; Ted'n possible. Us have all been laughing because she
couldn' come by one nohow." And Cherry Cotton elbowed her way through
the ring of curious folk to where Loveday stood. Suddenly Cherry gave a
scream, and pointed an accusing finger at Loveday.
"Ah, a new sash, sure enough.... Ask her where she got 'en. Ask her, I
say."
Loveday answered nothing, only turned her head a little to stare at
Cherry.
"You ask her where she took it from, Miss! You should know, seeing you
gave it!"
"I gave it to her? Nonsense."
"Not to her, but to poor Primrose Lear. 'Tes the riband that tied up
your wreath. She's robbed the dead. Loveday Strick's robbed the dead."
Then indeed, after a moment's stupefaction following on the horrid
revelation, a murmur of indignation ran from mouth to mouth.
"She's robbed the dead!"
"My soul! To rob the living's stealing, but to rob the dead's a profane
thing."
"'Tisn't man as can judge her, 'tis only God Almighty!" cried an old
minister, aghast.
"Look at the maid, how she stands.... Her own conscience judges her,
I should say!"
"She's no word to excuse herself, simmingly."
"That's because she do know nothing can excuse what she's done...."
And, indeed, Loveday stood without speech. Perhaps in all that buzz of
murmuring she heard the voice of her own conscience at last, for she
made no effort to defend herself, or, perhaps, even at that hour, she
heard nothing but the dread whisper of defeat. She stood before Flora
Le Pettit like a wilted rose whose petals hang limply, about to fall,
fronting a bloom that spreads its glowing leaves in the full flush of
noon. The one girl was triumphant in her beauty and her unassailable
position, every flounce out-curved in freshness; the other drooped at
brow and hem, her slender neck downbent, her sash-ends pendant as broken
tendrils after rain upon her heavily hanging skirts.
Public-domain text, read in full here on John Shaqi.
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