Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
Suddenly he uttered an exclamation. On moving cautiously into the
room, he saw a piano of polished white wood in a recess, concealed by
a white velvet curtain from the door. Before the piano lay a white
bearskin; on this, face downward; the body of a woman. She was dressed
in black, the one spot of colour in that pale room. But there was
another colour--a vivid red, staining the skin. Mulligan touched the
body--it was cold and limp. "Dead," said Mulligan. From under the left
shoulder-blade trickled a thin stream of blood, and his voice, strong
as it was, used as he had been to scenes of terror, faltered in the
dead silence of that death-chamber.
"Dead! Murdered!"
Not a sound. Even the wind had died away. Only the strong man looking
down at that still corpse, only the blackness of her dress; the
redness of her life-blood soaking into the white bearskin, and all
around the wan desolation of that white, mysterious room, Arctic and
silent.
CHAPTER II
ANOTHER MYSTERY
Mulligan stared at the dead woman, but beyond touching her to see if
life remained, he did not attempt to alter the position of the corpse.
For corpse it was. The woman was as dead as a stone, and Mulligan knew
his duty too well to take any authority upon himself The inspector was
the man to issue orders, and the inspector would be at the head of
Achilles Avenue when the clock struck twelve. As this thought passed
slowly through the policeman's mind--for the unexpectedness of the
tragedy had somewhat dazed him--he heard the midnight chimes. With a
sudden start he recovered his wits and wheeled round. In a few minutes
he was out of the house, and had closed the door. Only when in the
roadway did his brain begin to work at its normal speed.
"It's that young gentleman," thought Mulligan. "He said I'd come
across a crime sooner than I expected. And the key is his. Mary, be
good to us; but he must have killed the poor creature before he joined
me. Augh!" He stopped and considered. "But if that's so, what about the
singing. She was at the piano, and the song wasn't done when the
gentleman joined me. Augh!"
At this moment of his reflection, and while he was looking anxiously
down the road for the inspector, a man came walking rapidly along, and
suddenly emerged from a side-street that ran at right angles to
Achilles Avenue. He almost dashed into the arms of Mulligan, who
brought up short under a lamp. "Where are ye going?" asked the
policeman, rendered suspicious by his recent discovery and by the
manifest haste of the man.
"Going, confound you!" snapped the man, who seemed to be in a very bad
temper. "I'm looking for my motor-car."
"For your what?"
"Motor-car! Automobile! Can't you understand English? I've lost it.
Some one's bolted with the whole kit. Have you seen my car? It's
painted yellow picked out with black, and------"
Public-domain text, read in full here on John Shaqi.
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