By far the most thrilling narrative of the scenes attending
impressments, with which we are acquainted, is to be found in the
romance of "Katie Stewart," published in Blackwood's Magazine, without
the author's name. We quote:—
"The next day was the Sabbath, and Willie Morison, with his
old mother leaning on his arm, reverently deposited his silver
half-crown in the plate at the door of West Anster Church, an
offering of thankfulness, for the parish poor. There had been
various returns during the previous week; a brig from the Levant,
and another from Riga—where, with its cargo of hemp, it had been
frozen in all the winter—had brought home each their proportion
of welcome family fathers, and young sailor men, like Willie
Morison himself, to glad the eyes of friends and kindred. One of
these was the son of that venerable elder in the lateran, who
rose to read the little notes which the thanksgivers had handed
to him at the door; and Katie Stewart's eyes filled as the old
man's slow voice, somewhat moved by reading his son's name just
before, intimated to the waiting congregation before him, and to
the minister in the pulpit behind, also waiting to include all
these in his concluding prayer, that William Morison gave thanks
for his safe return.
"And then there came friendly greetings as the congregation
streamed out through the churchyard, and the soft, hopeful
sunshine of spring threw down a bright flickering network of
light and shade through the soft foliage on the causewayed
street;—peaceful people going to secure and quiet
homes—families joyfully encircling the fathers or brothers for
whose return they had just rendered thanks out of full hearts,
and peace upon all and over all, as broad as the skies and as
calm.
"But as the stream of people pours again in the afternoon from
the two neighbour churches, what is this gradual excitement
which manifests itself among them? Hark! there is the boom of
a gun plunging into all the echoes; and crowds of mothers and
sisters cling about these young sailors, and almost struggle
with them, to hurry them home. Who is that hastening to the
pier, with his staff clenched in his hand, and his white 'haffit
locks' streaming behind him? It is the reverend elder who to-day
returned thanks for his restored son. The sight of him—the sound
of that second-gun pealing from the Firth puts the climax on the
excitement of the people, and now, in a continuous stream from
the peaceful churchyard gates, they flow toward the pier and the
sea.
Public-domain text, read in full here on John Shaqi.
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