"Eagerly running along by the edge of the rocks, at a pace which,
on another Sabbath, she would have thought a desecration of
the day, clinging to Willie Morison's arm, and with an anxious
heart, feeling her presence a kind of protection to him, Katie
Stewart hastens to the Billy Ness. The gray pier of Anster is
lined with anxious faces, and here and there a levelled telescope
under the care of some old shipmaster attracts round it a still
deeper, still more eager knot of spectators. The tide is out,
and venturous lads are stealing along the sharp low ranges of
rock, slipping now and then with incautious steps into the little
clear pools of sea-water which surround them; for their eyes are
not on their own uncertain footing, but fixed, like the rest, on
that visible danger up the Firth, in which all feel themselves
concerned.
"Already there are spectators, and another telescope on the Billy
Ness, and the whole range of 'the braes' between Anstruther and
Pittenweem is dotted with anxious lookers-on; and the far away
pier of Pittenweem, too, is dark with its little crowd.
"What is the cause! Not far from the shore, just where that
headland, which hides you from the deep indentation of Largo Bay,
juts out upon the Firth, lies a little vessel, looking like a
diminutive Arabian horse, or one of the aristocratic young slight
lads who are its officers, with high blood, training, and courage
in every tight line of its cordage and taper stretch of its
masts. Before it, arrested in its way, lies a helpless merchant
brig, softly swaying on the bright mid-waters of the Firth, with
the cutter's boat rapidly approaching its side.
"Another moment and it is boarded; a very short interval of
silence, and again the officer—you can distinguish him with that
telescope, by his cocked hat, and the flash which the scabbard
of his sword throws on the water as he descends the vessel's
side—has re-entered the cutter's boat. Heavily the boat moves
through the water now, crowded with pressed men—poor writhing
hearts, whose hopes of home-coming and peace have been blighted
in a moment; captured, some of them, in sight of their homes, and
under the anxious, straining eyes of wives and children, happily
too far off to discern their full calamity.
"A low moan comes from the lips of that poor woman, who, wringing
her hands and rocking herself to and fro, with the unconscious
movement of extreme pain, looks pitifully in Willie Morison's
face, as he fixes the telescope on the scene. She is reading the
changes of its expression, as if her sentence was there; but he
says nothing, though the very motion of his hand, as he steadies
the glass, attracts, like something of occult significance, the
agonized gaze which dwells upon him.
Public-domain text, read in full here on John Shaqi.
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