The White Wolf and Other Fireside TalesQuiller-Couch, Arthur
Science
The White Wolf and Other Fireside Tales
Quiller-Couch, Arthur
Short stories, English
This is all I can tell--so fitful are childish memories--of the coming
of Miss Bracy and Mr. Frank. I cannot say, for instance, what gossip it
bred, or how soon they wore down the edge of it and became, with their
eccentricities, an accepted feature of the spot they had made their
home. They made no friends, no acquaintances: everyone knew of Miss
Bracy's cats, but few had seen them. Miss Bracy herself was on view in
church every Sunday morning, when Mr. Frank walked with her as far as
the porch. He never entered the building, but took a country walk
during service, returning in time to meet her at the porch and escort
her home. His other walks he took alone, and almost always at night.
The policeman tramping towards Four Turnings after midnight to report to
the country patrol would meet him and pause for a minute's chat.
Night-wandering beasts--foxes and owls and hedgehogs--knew his footstep
and unlearned their first fear of it. Sometimes, but not often, you
might surprise him of an afternoon seated before an easel in some
out-of-the-way corner of the cliffs; but if you paused then to look, he
too paused and seemed inclined to smudge out his work. The Vicar put it
about that Mr. Frank had formerly been a painter of fame, and (being an
astute man) one day decoyed him into his library, where hung an
engraving of a picture "Amos Barton" by one F. Bracy. It had made a
small sensation at Burlington House a dozen years before; and the Vicar
liked it for the pathos of its subject--an elderly clergyman beside his
wife's deathbed. To him the picture itself could have told little more
than this engraving, which utterly failed to suggest the wonderful
colour and careful work the artist (a young man with a theory and
enthusiasm to back it) had lavished on the worn carpet and valances of
the bed, as well as on the chestnut hair of the dying woman glorified in
the red light of sunset.
Mr. Frank glanced up at the engraving and turned his face away.
It was the face of a man taken at unawares, embarrassed, almost afraid.
The Vicar, who had been watching him, intending some pleasant remark
about the picture, saw at once that something was wrong, and with great
tact kept the talk upon some petty act of charity in which he sought to
enlist his visitor's help. Mr. Frank listened, gave his promise
hurriedly and made his escape. He never entered the Vicarage again.
III.
Eighteen years had passed since Miss Bracy's interview with Bassett; and
now, late on a summer afternoon, she and Mr. Frank were pacing the
little waterside garden while they awaited their first visitor.
Public-domain text, read in full here on John Shaqi.
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