When Charles arrived the master and the pupil were in the act of saluting each other; the lesson was over, Eugene had been unusually full of vigor, strength and agility, and Augereau was therefore doubly proud of him. The table was laid in the little room where the two boys had breakfasted in the morning. Eugene presented his new friend to the sergeant-major, who, seeing him so pale and thin, did not conceive a very exalted opinion of him. Eugene asked Madame Teutch to lay another cover; but Charles was not hungry, having just risen from table; he declared therefore that he would content himself with drinking to the sergeant-major's advancement, but that he did not care to eat. And to explain his preoccupation he related the scene which he had just witnessed. Pierre Augereau in his turn related the story of his life: how he was born in the Faubourg Saint-Marceau, the son of a journeyman mason and a fruit-seller. From his infancy he had a decided talent for fencing, which he learned as the gamin of Paris learns everything. His adventurous life had led him to Naples, where he had taken service in the carabineers of King Ferdinand; then he had turned fencing-master, having combined the French and Neapolitan methods, which made his fencing extremely dangerous. In 1792, when the order was given for all Frenchmen to leave the city, he returned to France, where he arrived a few days after the 2d of September, in time to join the volunteers whom Danton was despatching to the armies from the Champ de Mars, and who played such a brilliant part in the victory of Jemmapes. Augereau had received his first promotion there; then he had passed to the Army of the Rhine, where the Marquis de Beauharnais raised him to sergeant, and in which he had just become a sergeant-major. He was thirty-six years old, and his great ambition was to reach the rank of captain. Eugene had no tale to tell, but he had a proposition to make, which was received with enthusiasm; it was to go to the play in order to divert Charles from his melancholy. Citizen Bergere's troupe was at that time playing, at the hall of Breuil, "Brutus," one of Voltaire's plays, and "Filial Love, or the Wooden Leg," by Demoustiers. They hastened their dinner, and at six o'clock, protected by the sergeant, who was a head taller than they, and who possessed two strong fists, not only for his own service but also for his friends, the three entered the body of the theatre, and found with difficulty three places in the seventh or eighth row of the orchestra. At that period arm-chairs were unknown in the theatres.