The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
He had an excellent excuse for speaking thus to himself, since all this
time he had been performing a systematic, continuous, and consistent
act, in making Madame Bergeret’s life unbearable to her, by depriving
her of all the comforts needed by her homely common nature, her
domesticated character, and her gregarious mind. In a word, he was
engaged in driving from his house a disobedient and troublesome wife
who had done him good service by being unfaithful to him.
The opportunity she gave he seized gladly, doing his work with
wonderful vigour, considering the weak character he showed in ordinary
affairs. For, although M. Bergeret was usually vacillating in
purpose and without a will of his own, at this crisis he was driven
on by desire, by an invincible Lust. For it is desire, far stronger
than will, that, having created the world, now upholds it. In this
undertaking of his, M. Bergeret was sustained by unutterable desire, by
a masterful Lust to see Madame Bergeret no more. And this untempered,
transparent desire had the happy force of a great love, for it was
ruffled by no feeling of hatred.
All this time Euphémie stood waiting for her master to answer her, or,
at any rate, to hurl furious words at her. For on this point she agreed
with Madame Bergeret, and considered silence far more cruel than insult
and invective.
At last M. Bergeret broke the silence. He said in a quiet voice: “I
discharge you. You will leave this house in a week’s time.”
Euphémie’s sole response was a plaintive, animal cry. For a moment she
stood motionless. Then, thunderstruck, heart-broken and wretched, she
returned to her kitchen and gazed at the saucepans, now dented like
battle-armour by her valiant hands. She looked at the chair which had
lost its seat—without causing her any inconvenience, however, for the
poor girl hardly ever sat down; at the cistern whose waters had often
swamped the house at night by overflowing from a tap left full on; at
the sink with its wastepipe perpetually choked; at the table notched by
the chopping-knife; at the cast-iron stove all eaten away by the fire;
at the black coal-hole; at the shelves adorned with paper-lace; at the
blacking-box and the bottle of brass-polish. And standing in the midst
of all these witnesses of her weary life, she wept.
Public-domain text, read in full here on John Shaqi.
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