“When last I passed through the town,” continued Captain Aspertini, “on the second of January I think it was, I caught this young savant under the lime-tree in the courtyard of the library, chatting with the young porteress, whose ears, I remember, were very red. And you know that is a sign that she was listening with pleased excitement. There could be nothing prettier than that dainty little ruby shell clinging above the white neck. With great discretion I pretended not to see them, in order that I might not be like the Pythagorean philosopher who used to harass lovers in Metapontus. That is a very charming young girl, with her red, flame-like hair and her delicate skin, faintly dappled with freckles, yet so pearly that it seems lit up from within. Have you ever noticed her, Monsieur Bergeret?” M. Bergeret replied by a nod, for he had often noticed her, and found her very much to his taste. He was too honourable a man and had too much prudence and respect for his position ever to have taken any liberty with the young porteress at the library. But the delicate colouring, the thin, supple figure, the graceful beauty of this girl had more than once floated before his eyes in the yellow pages of Servius and Domat, when he had been sitting over them a long while. Her name was Mathilde and she had the reputation of being fond of pretty lads. Although M. Bergeret was usually very indulgent towards lovers, the idea of M. Roux finding favour with Mathilde was distinctly distasteful to him. “It was in the evening, after I had been reading there,” continued Captain Aspertini. “I had copied three unpublished letters of Muratori, which were not in the catalogue. As I was crossing the court where they keep the remains of ancient buildings in the town, I saw, under the lime-tree near the well and not far from the pillar of the Romano-Gallic boatmen, the young porteress with the golden hair. She was listening with downcast eyes to the remarks of your pupil, M. Roux, while she balanced the great keys at the end of her fingers. What he said was doubtless very like what the herdsman of the Oaristys[15] said to the goat-girl. There was little doubt as to the gist of his remarks. I felt sure, in fact, that he was making an assignation. For, thanks to the skill I have acquired in interpreting the monuments of ancient art, I immediately grasped the meaning of this group.” [15] First idyll of André Chénier. He went on with a smile: