The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
General
The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
[5] Et le fleuve, d’ores en avant municipal et historique,
Et dignement d’archives, d’annales, de fastes,
De gloire.
Prenant du sérieux et même du morose
De pierre grise,
Se traîne sous la lourde ombre basilicale
Que hantent encore des Eudes, des Adalberts,
Dans les orfrois passés,
Évêques qui ne bénissent pas les noyés anonymes,
Anonymes,
Non plus des corps, mais des outres,
Qui vont outre,
Le long des îles en forme de bateaux plats
Avec, pour mâtures, des tuyaux de cheminées.
Et les noyés vont outre.
Mais arrête-toi aux parapets doctes
Où, dans les boîtes, gît mainte anecdote,
Et le grimoire à tranches rouges sur lequel le platane
Fait pleuvoir ses feuilles,
Il se peut que, là, tu découvres une bonne écriture:
Car tu n’ignores pas la vertu des runes
Ni le pouvoir des signes tracés sur les lames.
For a long, long while M. Roux traced the course of this marvellous
river, nor did he finish his recital till they reached the dean’s
doorstep.
“That’s very good,” said M. Compagnon, for he had no grudge against
literature, though for want of practice he could barely distinguish
between a line of Racine and a line of Mallarmé.
But M. Bergeret said to himself:
“Perhaps, after all, this is a masterpiece?”
And, for fear of wronging beauty in disguise, he silently pressed the
poet’s hand.
V
As he came out of the dean’s house, M. Bergeret met Madame de Gromance
returning from Mass. This gave him great pleasure, for he always
considered that the sight of a pretty woman is a stroke of good luck
when it comes in the way of an honest man, and in his eyes Madame de
Gromance was a most charming woman. She alone, of all the women in the
town, knew how to dress herself with the skilful art that conceals art:
and he was grateful to her for this, as well as for her carriage that
displayed the lissom figure and the supple hips, mere hints though they
were of a beauty veiled from the sight of the humble, poverty-stricken
scholar, but which could yet serve him as an apposite illustration of
some line of Horace, Ovid or Martial. His heart went out towards her
for her sweetness and the amorous atmosphere that floated round her. In
his mind he thanked her for that heart of hers that yielded so easily;
he felt it as a personal favour, although he had no hope at all of
ever sunning himself in the light of her smile. Stranger as he was in
aristocratic circles, he had never been in the lady’s house, and it was
merely by a stroke of extraordinary luck that someone introduced him
to her in M. de Terremondre’s box, after the procession at the Jeanne
d’Arc celebrations. Moreover, being a wise man with a sense of the
becoming, he did not even hope for closer acquaintance. It was enough
for him to catch a chance glimpse of her fair face as he passed in the
Public-domain text, read in full here on John Shaqi.
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